Monuments dedicated to important events of the military history of Russia of the XVII - XIX centuries
hidden | A group of brick buildings under common name the Admiralty was built by architect V.I. Neelov on the bank of the Big Pond in 1773 – 1783. All buildings were constructed in commemoration of integration of Russia and the Tauric Khanate ... | | A group of brick buildings under common name the Admiralty was built by architect V.I. Neelov on the bank of the Big Pond in 1773 – 1783. All buildings were constructed in commemoration of integration of Russia and the Tauric Khanate. A collection of sail-boats and rowboats of the “Tsarskoye Selo Fleet” including an Indian pirogue, a Chinese sampan, a Venetian gondola, an Aleutian kayak, and a gold-plated boat of Catherine II, was kept in the main building. Banners were kept in the Holland Hall and 168 English etchings after watercolours of Tsarskoye Selo were placed on the walls. The Globe of Gottorf gifted to Peter I and brought in Russia in 1713 was put in the Holland Hall in 1901. Currently the main building is used for holding temporary exhibitions. One of the Bird Lodges houses the Admiralty Restaurant.
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hidden | The Armory is a high red brick gothic style building situated in the Alexander Park. The Armory is a free copy of a pavilion in the Shrubs Hill, England. Architect A.A. Menelas started the construction of the Armory in 1819 and architect A.A ... | | The Armory is a high red brick gothic style building situated in the Alexander Park. The Armory is a free copy of a pavilion in the Shrubs Hill, England. Architect A.A. Menelas started the construction of the Armory in 1819 and architect A.A. Ton finished the construction in 1834. A museum of arms holding a collection of more than 5000 items was situated in the Armory in the time of Nikolay I (since 1834). The collection items occupied two floors and stairway of the building. A several cannonries of early 15th century that had been gifted to Nikolay I by the King of Denmark, were located at the entrance to the Armory. Seven papier-mache horses of a Russian regiment of horse were standing at high pedestals in the round hall. Some of the items were subsequently passed to the Hermitage, some to the Anichkov Palace, and some to the Tsarskoselsky Palace.
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hidden | The decisive naval battle took place in the Chesme Bay (Aegean Sea) in June 1770. “All honor to the Russian fleet! On the 25th-26th we attacked, defeated, crashed, burnt ... | | The decisive naval battle took place in the Chesme Bay (Aegean Sea) in June 1770. “All honor to the Russian fleet! On the 25th-26th we attacked, defeated, crashed, burnt, sank and turned to ashes the enemy’s fleet and became the rulers of the archipelago” (an extract from the report of Admiral G. Spiridonov). The Chesme Column is the most magnificent monument of Russian military glory expressing the sea power of Russia. It was designed by architect Antonio Rinaldi. The pedestal is decorated with bas-reliefs illustrating the three decisive naval battles of the Russo-Turkish War of 1768-1774: the Battle of Chesme, the Battle of Chios and occupation of the Mytilini Island by marine corps. It was constructed on the Large Pond of the Catherine Park.
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hidden The Church of Saint Martyr Julian of Tarsus of His Majesty's Life-Guards Cuirassier Regiment | The Church of Saint Martyr Julian of Tarsus situated on Kadetsky Boulevard is perhaps the only church of this saint in the world. The church was designed by architect V.N. Kunitsyn and S.A. Dani for His Majesty's Life-Guards Cuirassier Regiment ... | | The Church of Saint Martyr Julian of Tarsus situated on Kadetsky Boulevard is perhaps the only church of this saint in the world. The church was designed by architect V.N. Kunitsyn and S.A. Dani for His Majesty's Life-Guards Cuirassier Regiment. The regiment took part in the battles at Taurine, Borodino and Leipzig. At the 200th anniversary of the Regiment its Commander Y. Prezhentsev noted that “many generations will pray in the church, look at the centuries-old shrine with devotion, and strive to pattern themselves on the ancestors who proved the reputation and valour of His Majesty's Life-Guards Cossacks”. The Church is styled under Russian churches of the 17th century. The consecration of the church took place on December 19, 1899. Archpriest A.A. Zhelobovsky, Saint John of Kronstadt, priests of Tsarskoye Selo, and the royal family took part in the consecration.
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hidden | A column initially named Siberian Column was erected at the border of the Babolovsky Park in 1777. The column was erected in memory of integration of the Crimea and Russia according to the Treaty of Kuchuk Kainarji concluded at the end of the ... | | A column initially named Siberian Column was erected at the border of the Babolovsky Park in 1777. The column was erected in memory of integration of the Crimea and Russia according to the Treaty of Kuchuk Kainarji concluded at the end of the Russo-Turkish War of 1768 – 1774. The 15 meters high column was made of a single piece of Uralian marble and transported to St. Petersburg on a cart pulled by 120 horses. Trophies decorative composition was made by artist G.I. Kozlov upon legalization of the integration of the Crimea and Russia in 1783. The composition includes Turkish banners, crescents, and arms. It was made at the Petersburg state bronze casting factory. On October 22, 1785, the composition was mounted to the column and the column was named the Crimean Column.
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hidden | It is one of the first monuments of military glory erected in Tsarskoye Selo to commemorate the victory of the Russian army in the Russo-Turkish War of 1768 – 1774. The Russian army under the command of General P.A ... | | It is one of the first monuments of military glory erected in Tsarskoye Selo to commemorate the victory of the Russian army in the Russo-Turkish War of 1768 – 1774. The Russian army under the command of General P.A. Rumyantsev gained the victory at the Kagul River. Being the foremost Russian generals P.A. Rumyantsev not only revived but improved the Russian art of war. The monument was designed by Antonio Rinaldi in 1771-1772. As one of the most modest of all monuments of military glory it attracts attention by delicate proportions and unusual dark greyand-white marble. The inscription on the bronze plate glorifies the victory of the Russian army of 1500 that caused the Turkish army of 17 000 to flee.
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hidden | It is a monument of military glory commemorating the victories of the Russian marine corps under the command of Count F.G. Orlov in the Russo-Turkish War on the Morea Peninsula (Mediterranean Sea) ... | | It is a monument of military glory commemorating the victories of the Russian marine corps under the command of Count F.G. Orlov in the Russo-Turkish War on the Morea Peninsula (Mediterranean Sea). In January 1771, people of 25 island of the archipelago became citizens of Russia. In memory of that and as an example for the future generations Catherine the Great ordered to erect the Morea Column in Tsarskoye Selo (also called Small Rostral Column). The ship bows (rostra) evidence that the victory was gained with the help of the fleet. The Morea Column designed by architect A. Rinaldi was erected in the Catherine Park on October 04, 1771. The column is 7 meters high. The inscription on the pedestal tells about splendid victories of the Russian army and fleet under the command of Count F.G. Orlov.
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hidden | The gate symbolizes the victory of the Russian army in the wars against Turkey and Persia in 1828-1830. This Empire style gate built in 1831 was designed by Russian architect V.M. Gornostayev ... | | The gate symbolizes the victory of the Russian army in the wars against Turkey and Persia in 1828-1830. This Empire style gate built in 1831 was designed by Russian architect V.M. Gornostayev. The railing was made according to an architect Glinka’s drawing. According to famous art historian V.Y. Kurbatov the gate is “military styled like Paris outposts of the late 18th century”. The gate consists of two equal corps de gardes and a cast iron gate. Tridimensional cast iron Russian national emblems are at the top of two pillars. The emblems were made at K. Grayson’s factory in St. Petersburg according to an architect V.A. Glinka’s drawing. A road connecting Tsarskoye Selo and Moscow ran through the Moscow Gate. Only those who had “a need and a right” could walk along that road. A funeral procession from Taganrog with the remains of Alexander I walked through the gate on February 28, 1826.
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hidden The Orlov (Gatchina) Gate | A grand 15 meters high arch is situated at the southern border of the Catherine Park not far from the Ruin Tower. A road to Gatchina, a former estate of Count G.G ... | | A grand 15 meters high arch is situated at the southern border of the Catherine Park not far from the Ruin Tower. A road to Gatchina, a former estate of Count G.G. Orlov that was bought by Catherine II for Pavel Petrovich after Orlov’s death, led though this gate. The marble gate was built by order of Catherine II in honor of Count Grigory Orlov who saved Moscow from plague. Bronze letters on the Gatchina side of the gate read: “Moscow was rescued from danger by Orlov”. The gate was designed by architect Rinaldi and was built in 1772 under supervision of stone master Pinketti. The marble elements of the gate were made of Karelian marble in St. Petersburg. The iron railing designed by J. Quarenghi was made at Sestroretsk armory.
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hidden | The Ruin Tower is an unusual decorative structure commemorating the victory of Russia over the Ottoman Porte. The inscription on the saddle stone reads: “This stone is placed in 1768 for the memory of the was declared by the Turks on Russia” ... | | The Ruin Tower is an unusual decorative structure commemorating the victory of Russia over the Ottoman Porte. The inscription on the saddle stone reads: “This stone is placed in 1768 for the memory of the was declared by the Turks on Russia”. The Ruin Tower was designed by architect Y.M. Felten. It is situated in the new part of the Catherine Park and resembles of ruins of a medieval castle. A stone arch is adjacent to the Tower the continuation of the arch is an artificial embankment-ramp imitating a rampart. The embankment-ramp ends with a Gothic style cast iron gate that was made at Demidov’s factories in Yekaterinburg in 1777 – 1778. It is one of the first cast-iron works in Russia and it’s an evidence of high-class workmanship of Russian foundrymen.
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hidden The Saint Ecatherine Cathedral | The five-domed Saint Catherine of Alexandria Cathedral in Tsarskoye Selo was constructed in the style of Suzdal Cathedrals. It was designed by architect Konstantin Ton. The construction began in 1835 by order of Emperor Nikolay the First ... | | The five-domed Saint Catherine of Alexandria Cathedral in Tsarskoye Selo was constructed in the style of Suzdal Cathedrals. It was designed by architect Konstantin Ton. The construction began in 1835 by order of Emperor Nikolay the First. The cathedral was looted in 1922; it was closed in 1938 and was demolished a year later. Soviet authorities planned to make a poets’ park on the territory of the cathedral but a Lenin monument was eventually erected there. The monument existed on the remains of the cathedral for more than 40 years. The priest and the congregation of the Sophia Cathedral erected a Cross of Respectful Salutation next to the monument in 1995. Regular prayer services have been arranged there. In 2007, the Cultural Heritage Preservation Council of the Government of St. Petersburg took the decision to reconstruct the Saint Catherine of Alexandria Cathedral in Tsarskoye Selo. The cathedral was consecrated during the celebration of the 300th anniversary of Tsarskoye Selo.
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hidden The Saint Sophia Cathedral | The cathedral was built in commemoration of our victories in the Russo-Turkish wars. The foundation stone of the cathedral was laid in the presence of Catherine II on July 30, 1782. The consecration took place on May 20, 1788 ... | | The cathedral was built in commemoration of our victories in the Russo-Turkish wars. The foundation stone of the cathedral was laid in the presence of Catherine II on July 30, 1782. The consecration took place on May 20, 1788. The construction of the cathedral was supervised by architect C. Cameron. I.E. Stasov finished the construction. The Saint Sophia Cathedral has five domes based on low stone cylinders. The central dome is double. A smaller dome similar to the one of the Saint Sophia Cathedral in Constantinople was built inside the central dome. There is an Empress Catherine’s monogram and the inscription “Architect Charles Cameron” at the sanctuary. On 1817, the Saint Sophia Cathedral becomes the Regiment Church of His Majesty's Life-Guards Cossack Regiment. A monument to St Alexander Nevsky designed by sculptor V. Kazenyuk was erected in the territory of the cathedral on September 12, 1990 in commemoration of the 750th anniversary of the Neva Battle of 1240.
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hidden The Sovereign Military Chamber | The Sovereign Military Chamber was built not far from the Anichkov Palace by architect S.Y. Sidorchuk in 1913 – 1916 by order of Nikolay II. The building was constructed after the fashion of ancient chambers of Pskov-and-Novgorod stone architecture ... | | The Sovereign Military Chamber was built not far from the Anichkov Palace by architect S.Y. Sidorchuk in 1913 – 1916 by order of Nikolay II. The building was constructed after the fashion of ancient chambers of Pskov-and-Novgorod stone architecture. It was designed as a museum of Russian military history and was named the Sovereign Military Chamber. Special attention was paid to the World War I. A portrait gallery of St. George Commanders and officers awarded the St George’s Cross was planned in the Chamber. Establishment of a granite memorial plate at the face of the Chamber building (idea of Y. Guttovsky, design by architect A. Waisman) was funded from the budget of Pushkin municipal formation in accordance with Resolution №550 of the Pushkin Municipal Council dated June 22, 2000. The plate was inaugurated on November 07, 2000.
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hidden The Triumphal Arch «To My Honorable Comrades-in-Arms» | The Arch “To My Honorable Comradesin-Arms” was designed by famous Russian architect V.P. Stasov and was built in 1814 to welcome those who were returning from the Patriotic War of 1812 and foreign campaigns of the Russian army ... | | The Arch “To My Honorable Comradesin-Arms” was designed by famous Russian architect V.P. Stasov and was built in 1814 to welcome those who were returning from the Patriotic War of 1812 and foreign campaigns of the Russian army. This was the way Alexander I expressed his gratitude to the military commanders and counselors who participated in the Patriotic War of 1812 and the foreign campaign of 1813-1814 and defeated the army of Napoleon and set Europe free. It took 92 days to construct the gate. All cast iron parts were made at Alexandrovsky iron foundry in Petrozavodsk and were transported to St. Petersburg by water. The gate is 9.2 meters high and weighs 100.5 t. The fence of the Catherine Park and the wings of the gate were designed by A. Mendelas. They perfectly match the grand Triumphal Arch.
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hidden | There is a monument in the Catherine Park that reminds of the Russo-Turkish War of 1828 - 1829. An oriental style stone building – the Turkish Bath Pavilion – is situated on a small cape that pushes out to a lake ... | | There is a monument in the Catherine Park that reminds of the Russo-Turkish War of 1828 - 1829. An oriental style stone building – the Turkish Bath Pavilion – is situated on a small cape that pushes out to a lake. The Pavilion was built in 1852 by order of Imperator Nikolay Pavlovich in commemoration of conclusion of the Peace Treaty of Adrianople that concluded the Russo-Turkish War of 1828-1829. The treaty opened the Dardanelles and the Bosporus to all Russian vessels. Russia took Moldavia, Walachia, and Serbia under its protection and patronage. According to the design of architect I.A. Monigetti the Pavilion has two domes and a tall turret shaped as a minaret with a crescent at the top that makes it look as a Mauritanian mosque. In 1941-1945 the Turkish Bath was severely damaged by artillery shots.
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