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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Vaganova Agrippina Yakovlevna hidden Dudinskaya N.М.(1912-2003), ballet dancer, instructor | DUDINSKAYA Natalia Mikhailovna (1912-2003, St. Petersburg), ballet dancer, People's Artist of the USSR (1957), Honorary Citizen of St. Petersburg (1998). Graduated from the Leningrad Choreography School under of A. Y. Vaganova in 1931 ... | | DUDINSKAYA Natalia Mikhailovna (1912-2003, St. Petersburg), ballet dancer, People's Artist of the USSR (1957), Honorary Citizen of St. Petersburg (1998). Graduated from the Leningrad Choreography School under of A. Y. Vaganova in 1931. That same year, she joined the State Academic Opera and Ballet Theatre (today Mariinsky Theatre) as a soloist, dancing leading roles from the classical repertoire (Odette-Odile, Aurora, Giselle), then became an authority on the contemporary ballet repertoire, including The Flame of Paris (1932), Lost Illusions (1936), and Militsa (1947) by B. V. Asafyev. She took on virtuosic roles with heroic content, Laurencia in one of A. A. Krein's ballets (1939), Gayane (A. I. Khachaturyan's Gayane, 1942), Cinderella (in S. S. Prokofiev's Cinderella, 1946; Stalin Prize, 1947), Raimonda (in A. K. Glazunov's Raimonda; Stalin Prize, 1949), Girl-Bird (in F. Z. Yarullin's Surale, 1950; Stalin Prize, 1951), Pannochka (in V. P. Solovyev-Sedoy's Taras Bulba , 1955), and Sari (in K. Karaev's Path of Thunder, 1958). Dudinskaya worked with celebrated choreographers K. М. Sergeev, L. V. Yakobson, and B. А. Fenster, and was Sergeev's long-time dance partner. Dudinskaya managed to imbue her dancing with psychological intensity, emotional expressiveness, and exactitude. In 1951-78, she taught improvement classes, and tutored at the State Academic Opera and Ballet Theatre. From 1964, she was the head dance instructor, and from 1995 Professor at the Leningrad Academic School of Choreography (see Academy of Russian Ballet), training 14 graduating classes. М. Kullik and U. V. Lopatkina were both Dudinskaya's students. Alongside with Sergeev, she choreographed a number of ballets for the School of Choreography: Seasons to A. K. Gazunov's music (1976), Beethoven's Appassionata (1978), R. Schuman's Carnival (1988), and others. She had also assisted Sergeev in reconstructing such classical ballets as Raimonda (1948), Swan Lake (1950), Sleeping Beauty (1952, 1989), as well as in choreographing Corsair for the Bolshoy Theatre in Moscow (1992). In 1989, a small planet was named after Dudinskaya. She was a laureate of the Golden Soffit Prize (1995) and the Golden Mask Theatre Prize (For Honour and Dignity, 2002). She lived at 11/2 Nevsky Prospect (memorial plaque installed), and was buried at Literatorskie Mostky. References: Кремшевская Г. Д. Наталия Дудинская. Л.; М., 1964; Головашенко Ю. Наталья Дудинская // Театр. 1968. №. 9. С. 60-68. Y. N. Kruzhnov.
| | | hidden Ulanova G.S., (1910-1998), ballet dancer | ULANOVA Galina Sergeevna (1910, St. Petersburg - 1998), dancer, pedagogue, Hero of Socialist Labor (1974, 1980), People"s Artist of the USSR (1951). Graduating from the Leningrad Choreographic School under A.Y ... | | ULANOVA Galina Sergeevna (1910, St. Petersburg - 1998), dancer, pedagogue, Hero of Socialist Labor (1974, 1980), People"s Artist of the USSR (1951). Graduating from the Leningrad Choreographic School under A.Y. Vaganova, she was a soloist at the Kirov Opera and Ballet Theatre from 1928 until 1941. She was the first to play the role of Maria in The Fountain of Bakhchisaray (1934, ballet master R.V. Zakharov) and Juliet (1940, ballet master L.M. Lavrovsky). She also played Odette/Odile, Giselle, and other major roles. Ulanova"s roles were characterised by an extraordinary harmony of dancing, imparting grace to simple movements and naturalness to complex ones. Through her art she made real the tender poetic heroines who lived in love and defended love at the expense of their lives. Tragic finales became light and hopeful when Ulanova played them. A bronze bust modelled after her was installed in Moscow Podeby Park (1984, sculptor M.K. Anikushin). She was awarded the Stalin Prize (1941, 1946, 1947, 1950) and Lenin Prize (1957). She lived at 8 Dzerzhinskogo Street (today Gorokhovaya Street), and 13 Gogolya Street (today Malaya Morskaya Street). References: Голубов В. И. Танец Галины Улановой. Л., 1948; Богданов-Березовский В. М. Галина Сергеевна Уланова. 2-е изд., испр. и доп. М., 1961; Львов-Анохин Б. А. Галина Уланова. 2-е изд., доп. М., 1984. G. N. Dobrovolskaya.
| | | hidden Vaganova A.Y., (1879-1951), ballet-dancer | VAGANOVA Agrippina Yakovlevna (1879, St. Petersburg - 1951, Leningrad), ballet-dancer, pedagogue, choreographer, People's Artist of the Russian Soviet Federative Socialist Republic (1954) ... | | VAGANOVA Agrippina Yakovlevna (1879, St. Petersburg - 1951, Leningrad), ballet-dancer, pedagogue, choreographer, People's Artist of the Russian Soviet Federative Socialist Republic (1954). Upon graduating from the Petersburg Drama School, where she had studied under P.A. Gerdt, she danced at the Mariinsky Theatre in 1897-1916. Gave brilliant variations on many ballet performances, and played the roles of Queen of Water (The Little Humpbacked Horse), and Lady of Dryads (Don Quixote, both by A.A. Gorsky). By the end of her career - having acted the leading parts in M.I. Petipa and L.I. Ivanov's Swan Lake, Gorsky's The Little Humpbacked Horse, Giselle by Petipa - she achieved the title of ballerina. In 1920, Vaganova started teaching at the Russian Ballet School under the guidance of A.L. Volynsky; from 1921, she was a teacher of the Petrograd (Leningrad) Choreographic School (see Academy of Russian Ballet). She integrated her stage experience with her predecessor's lessons and created her own teaching method (expounded on in her book Basic Principles of Classical Ballet, Leningrad; Moscow., 1934; several editions), which put emphasis on newer developments and technique in classical dance. Among her students were M.T. Semenova, G.S. Ulanova, O.G. Iordan, T.M. Vecheslova, N.M. Dudinskaya, F.I. Balabina, A.Y. Shelest, N.A. Petrova, N.A. Kurgapkina, O.N. Moiseeva, I.G. Hensler, A.E. Osipenko, and I.A. Kolpakova. The Choreographic School was named after Vaganova in 1957. In 1931-1937, Vaganova was an art director for the Kirov Opera and Ballet Theatre's ballet troupe, where she choreographed Petipa and Ivanov's ballet Swan Lake (1933) and J. Perrot's Esmeralda (1935). She was awarded the Stalin Prize in 1946. In 1937-51, Vaganova lived at 4 Dzerzhinskogo Street (today Gorokhovaya Street, memorial plaque installed). Buried at Literatorskie Mostky. References: Богданов-Березовский В. М. А. Я. Ваганова. М.; Л., 1950; Агриппина Яковлевна Ваганова: Статьи. Воспоминания. Материалы. Л.; М., 1958; Красовская В. М. Ваганова. Л., 1989. G. N. Dobrovolskaya.
| | | hidden | The Villa of Z.I. Yusupova in Pavlovsk Road (its present address is the house no. 12) was given for the summer for the A.Ya. Vaganova Choreographic School. The future stars of the Russian ballet Galina Ulanova, Marina Semyenova ... | | The Villa of Z.I. Yusupova in Pavlovsk Road (its present address is the house no. 12) was given for the summer for the A.Ya. Vaganova Choreographic School. The future stars of the Russian ballet Galina Ulanova, Marina Semyenova, Tatiana Vyacheslova, Natalia Dudinskaya, Vakhtang Chebukiani, Konstantin Sergeyev, Olga Iordan, their famous teacher A.Ya. Vaganova and others had a rest and continued classes there. Persons Chabukiani Vakhtang Mikhailovich Dudinskaya Natalia Mikhailovna Iordan Olga Genrikhovna Semyenova, Marina Timofeyevna Sergeev Konstantin Mikhailovich Ulanova Galina Sergeevna Vaganova Agrippina Yakovlevna Vecheslova Tatyana Mikhailovna Addresses Pavlovskoe Freeway/Pushkin, town, house 12
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