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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Smirnova-Rosset Alexandra Osipovna hidden Lermontov M.Y. (1814-1841), poet | LERMONTOV Mikhail Yurievich (1814-1841), poet, prose writer, playwright. The descendant of G. Lermont, an immigrant from Scotland. Without graduating from Moscow University, Lermontov came to St ... | | LERMONTOV Mikhail Yurievich (1814-1841), poet, prose writer, playwright. The descendant of G. Lermont, an immigrant from Scotland. Without graduating from Moscow University, Lermontov came to St. Petersburg for the first time in 1832, entered the school of Guards Sergeants and Cavalry Cadets, which he left with the rank of a cornet in 1834. The poem Death of the Poet (1837, occasioned by the death of A.S.Pushkin) brought Lermontov not only literary fame but also an arrest and transfer to the Caucases. In 1838 he returned to St. Petersburg, where he stayed until February 1840, when he again was exiled to the Caucasus for participating in a duel; Lermontov's last visit of St. Petersburg was in February - April 1841. His works appeared in Petersburg journals Sovremennik (the poem Borodino, 1837, etc.), Otechestvennye Zapiski (here the majority of life-time publications of Lermontov's works appeared: poem Meditation, 1839, Gratitude, 1840, How often in a motley crowd..., 1840, Motherland, 1841, etc.; separate short stories of the novel A Hero of Our Time, etc.); a regular visitor of Petersburg literary salons of the Karamzins, A.O. Smirnova-Rosset, Count M.Y. Vielgorsky, Count A.G. Laval and Countess I.S. Laval and others. In St. Petersburg the only life-time verse collections of Lermontov's poems Poems by Mikhail Lermontov (1840) and two editions of A Hero of Our Time (1840 and 1841) were issued. In Lermontov's works, that developed in the traditions of the Romanticism, the opposition of prim and prudish St. Petersburg and hospitable and hearty Moscow is distinctly outlined. The unfinished novel Princess Ligovskaya, the story Shtoss and the drama Masquerade are rich in Petersburg realities. The main addresses of Lermontov in St. Petersburg are 10/8 B. Masterskaya Street (today Lermontovsky Avenue), 61 Sadovaya Street (memorial plaque), 20 Sergievskaya Street (today Tchaikovskogo Street). After Lermontov an avenue and a lane, several streets in Pavlovsk, Krasnoselsky District and Kolpinsky District, and the Bridge across Obvodny Canal have been named. The name of the poet was given to the Central District Library of Central District. A bust to Lermontov was placed in the Alexander Garden (1896, sculptor V.P. Creitan, architect N.V. Maximov), and the monument to him was mounted at 54 Lermontovsky Avenue, in front of the building of the former Nikolaevsky Cavalry School (1916, sculptor B.M. Mikeshin). Lermontov's manuscript, his drawings, etc. are treasured in the Lermontovsky Hall of the Institute of Russian Literature of the Russian Academy of Sciences. References: Лермонтовская энциклопедия. М., 1981; Мануйлов В. А., Назарова Л. Н. Лермонтов в Петербурге. Л., 1984. D. N. Akhapkin.
| | | hidden Pushkin Alexander Sergeevich (1799-1837), poet | PUSHKIN Alexander Sergeevich (1799-1837, St. Petersburg), poet, prose writer, playwright, historian, journalist. Studied at the Imperial Lyceum at Tsarskoe Selo (1811-17; memorial plaque; presently a memorial museum) ... | | PUSHKIN Alexander Sergeevich (1799-1837, St. Petersburg), poet, prose writer, playwright, historian, journalist. Studied at the Imperial Lyceum at Tsarskoe Selo (1811-17; memorial plaque; presently a memorial museum). It was the public performing of his ode Remembrances in Tsarskoe Selo at the Lyceum examination, presided by G. R. Derzhavin on 8 January 1815, that Pushkin consideres the beginning of his literary career. Upon graduation from the Lyceum Pushkin served at the Foreign Affairs Collegium. In 1820 was exiled from St. Petersburg to Chisinau (Kishinev), Odessa, subsequently to the village of Mikhailovskoe in the Pskov province. From 1827-31 occasionally visited St. Petersburg (stayed at the Demutov Traktir). In 1831 after marrying Natalia Goncharova moved to St. Petersburg. Pushkin was a member of the Arzamas society, Zelenaya Lampa (Green Lamp) circle; was closely associated with the Free Society for the Friends of the Russian Philology. Pushkin intermingled with numerous literary figures, was acquainted with А. А. Delwig, V. K. Kuchelbecker, P. Y. Chaadaev, V. A. Zhukovsky, P. А. Vyazemsky, N. М. Karamzin, Е. А. Baratynsky, K. N. Batyushkov, P. А. Pletnev, N. V. Gogol, А. S. Griboedov and many others. During different periods visited salons of Princess Е. I. Golitsyna, А. N. Olenina, Karamzina's salon, D. F. Fikelmon's salon, Odoevsky's salon, the Wednesdays of Smirnova-Rosset and others. Appeared in the Syn Otechestva, Biblioteka dlya chtenia journals, Polyarnaia Zvezda almanac, Severnye Tsvety almanac and others. Took active part in the publication of the Litaraturnaya Gazeta newspaper; founder of the Sovremennik journal. Pushkin's first book - the poem Ruslan and Lyudmila (1820), first poems collection Poems (1826), a lifetime collection of works - Poems by Alexander Pushkin in four volumes (1829-35), first separate full edition of Evgeny Onegin (1833), The Narratives Published by Alexander Pushkin (1834), Poems and Narratives by Alexander Pushkin in two volumes (1835) and many others were published in St. Petersburg. St. Petersburg is considered the city of the poet's early literary fame and the place where his last drama occurred. Pushkin was mortally wounded at a duel in the surroundings of St. Petersburg, in the vicinity of the Chernaya Rechka River [in 1937 an obelisk was erected at the supposed site of the duel (architect А. I. Lapirov, sculptor М. G. Manizer)]. The burial service was read in the Holy Face Church of the Court Stables (1 Konyushennaya Square; memorial plaque). Continuing the traditions of the 18th century, Pushkin harmonically merged diverse genres and styles both in poetry and prose, thus creating a new literature language and a new writing manner, which determined the development of Russian literature in the 19th and 20th centuries. For the first time in Russian literature Pushkin gave a complex, manifold description of St. Petersburg; the poet illustrates the city's past and present, revealing their continuity. The city becomes one of the characters of his works, and the literary phenomenon, later called Petersburg text, is established; it was cultivated in Gogol's, Dostoevsky's works, as well as of other writers. The St. Petersburg theme is closely associated with the evaluation of Peter the Great's reforms (the unfinished novel The Negro of Peter the Great , 1827; The Bowl of Peter the Great, 1835; preparatory material to The History of Peter the Gtreat, 1835; others); the architectural regalia embody the various aspects of Russian history and statehood (see, e.g., Mikhaylovsky Palace as a symbol of tyranny in the ode Freedom 1817, written according to the legend in the house of the A. I. Turgenev and N. I. Turgenev brothers at 20 Fontanka River Embankment); the city's manifold modern life is exposed (the aristocratic, high-society, cultural St. Petersburg in Evgeny Onegin's first chapter, saturated with topographic regalia; an insight into the life of Petersburg outskirts is given in the poem The House in Kolomna, 1830; and others). The image of St. Petersburg is impregnated in The Bronze Horseman with strong symbolic tension (Petersburg Narratives — according to Pushkin's genre definition) (1833; was first published in 1837 after the poet's death with considerable distortions). The explicit apologia of St. Petersburg develops in the poem into the theme of fatal menace and catastrophic downfall of the city over God's elements, the triumph of Peter the Great's historic genius, intellect and his will's creative potency, Russian glory, embodied in the image of St. Petersburg, stand as a rigorous and tragic ordeal measured by the sufferings of an individual. The narrative The Queen of Spades, (1834) with its fantastic atmosphere and a special genuine Petersburg type (Dostoevsky) of character played an important part in the evolution of the Petersburg Text technique in Russian literature (Princess N. P. Golitsina's House at 10 Morskaya Street is traditionally considered the house where Pushkin's old countess lived). Pushkin's Petersburg addresses are: from 1817-20: 185 Fontanka River Embankment (memorial plaque); 1831 - Tsarskoe Selo, Kolpinskaya Street (the town of Pushkin, 2 Pushkinskaya Street; memorial plaque; (today Pushkin summer cottage museum); 1831-32: 53 Galernaya Street (memorial plaque); 1832 — Furshtatskaya Street (the house has not survived, section of house 20); 1832-33: 26 Bolshaya Morskaya Street; 1833-34: 5 Panteleymonovskaya Street (today Pestelya Street), 1834-36 — 32, Frunzenskaya Embankment (today Kutuzova Embankment), (memorial plaque); 1836-37 —12, the Moika River Embankment (memorial plaque; today Pushkin memorial museum-flat). Pushkinskaya Street (since1881) and a number of streets in Pushkinsky, Pavlovsky, Kolpinsky, Kurortny, Krasnoselsky districts are named after Pushkin. In 1937-89 Birzhevaya Square was called Pushkinskaya. The Children's Library, the Russian State Academic Drama Theatre (see Alexandrinsky Theatre), the Russian Literature Institute of the Russian Academy of Sciences (Pushkin's House), where the poet's manuscript legacy is reposited, a metro station and a number of other objects are also named after Pushkin. In 1937 Detskoe Selo (formerly Tsarskoe Selo) was renamed into Pushkin. See also the article Pushkin's monuments. References: Гордин А. М., Гордин М. А. Путешествие в пушкинский Петербург. Л., 1983; Осповат А. Л., Тименчик Р. Д. Печальну повесть сохранить...: Об авторе и читателях Медного всадника. М., 1985; Иезуитова Р. В., Левкович Я. Л. Пушкин и Петербург: Страницы жизни поэта. СПб., 1999; Сурат И. З., Бочаров С. Г. Пушкин: Крат. очерк жизни и творчества. М., 2002. Д. Н. Ахапкин, D. N. Cherdakov.
| | | hidden | PUSHKIN DACHA MUSEUM (Pushkin Town, 2 Pushkinskaya Street) is a branch of the All-Russian Pushkin Museum. It was established in 1958 in the one-storied wooden building, which had earlier belonged to Court Valet Y ... | | PUSHKIN DACHA MUSEUM (Pushkin Town, 2 Pushkinskaya Street) is a branch of the All-Russian Pushkin Museum. It was established in 1958 in the one-storied wooden building, which had earlier belonged to Court Valet Y. Kataev, near the Lyceum and Catherine's Park (1827, architect V. M. Gornostaev). Pushkin spent here the first summer after his wedding, from May to October 1831 (memorial plaque). The house was extended at the end of the 19th century. It was destroyed during the Great Patriotic War of 1941-45 and reconstructed in 1949. The house was restored again in 1967. The ground floor housed a scullery, a dining room, a boudoir of the poet's wife, Natalya Nikolaevna, a bedroom and two guest rooms. The mezzanine floor housed a study. It was here that Pushkin finished The Fairy Tale of Tsar Saltan and wrote the letter of Onegin to Tatyana, and the poems entitled The More the Lyceum Celebrates..., Echo, Before the Holy Grave, To Slanderers of Russia, and Anniversary of Borodino. He prepared his Belkin’s Stories here for publication. V. A. Zhukovsky, N. V. Gogol, and A. O. Smirnova-Rosset visited the poet's home. A. O. Smirnova-Rosset described the poet's study in her memoirs. References: Тихонов Л. П. Музеи Ленинграда. Л., 1989. С. 216-217; Музеи Санкт-Петербурга и Ленинградской области: Справ. СПб., 2002. С. 51-52. A. D. Margolis. Persons Gogol Nikolay Vasilievich Pushkin Alexander Sergeevich Smirnova-Rosset Alexandra Osipovna Zhukovsky Vasily Andreevich Addresses Pushkinskaya Street/Pushkin, town, house 2
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