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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Pushkin personality hidden Kollontay A.M. (1872-1952), revolutionary and statesman | KOLLONTAY (nee Domontovich) Alexandra Mikhailovna (1872, St Petersburg - 1952), Soviet party worker, diplomat, writer. In 1888, she passed all school examinations without having attended classes ... | | KOLLONTAY (nee Domontovich) Alexandra Mikhailovna (1872, St Petersburg - 1952), Soviet party worker, diplomat, writer. In 1888, she passed all school examinations without having attended classes. In the 1890s, she worked toward the enlightenment of Petersburg workers, collaborated with the Petersburg journals Obrazovanie, Nauchnoe Obozrenie and others, and attended political meetings at the Stasov apartment (20 Furshtatskaya Street). She took part in the events of 9 January 1905 (see Bloody Sunday). She worked for the creation of the Mutual-Aid Society for Women-Workers (1907), and the holding of the First All-Russian Women's Congress in St Petersburg (1908). From December 1908, she lived abroad. In March 1917, she returned to Petersburg, became a member of the Executive Committee of the Petrograd City Soviet; during the July 1917 incidents she was arrested, but released shortly afterwards. At the Sixth Congress of Russian Social-Democratic Workers' Bolshevik Party, she was elected to be a member of the Executive Committee in absentia. In 1917-18, she was the Peoples' Commissar for State Charity (social security), and a prominent figure in the Women's Movement. From March 1918, she lived in Moscow. In 1920-22, she was Chief of the Women's Department of the Central Committee of the Russian Communist Bolshevik Party. Kollontay was the first woman in the world to be a diplomat; from 1923, she was Ambassador and Trade Representative to Norway; in 1926, to Mexico; from 1927-30, to Norway again; from 1930-45 Envoy, then Ambassador to Sweden. In 1944, she conducted armistice negotiations with Finland. In 1945 she became Advisor to the Ministry for Foreign Affairs of the USSR. She wrote works on labour and the women's movement. In 1972, a street on the right bank of the Neva River was named after Kollontay. References: Иткина А. М., Революционер, трибун, дипломат: Страницы жизни А. М. Коллонтай. Изд. 2-е, доп. М., 1970; Олесин М. И. Первая в мире: Биогр. очерк об А. М. Коллонтай. М., 1990. Y. N. Kruzhnov.
| | | hidden Konstantin Pavlovich (1779-1831),Grand Prince | KONSTANTIN PAVLOVICH (1779, Tsarskoe Selo - 1831), Grand Prince, Tsesarevich (Crown Prince) (from 1799). Second son of Emperor Pavel I. From 1797, Inspector General of the whole Cavalry, from June 1798 also Chief Commander of the Cadet Corps ... | | KONSTANTIN PAVLOVICH (1779, Tsarskoe Selo - 1831), Grand Prince, Tsesarevich (Crown Prince) (from 1799). Second son of Emperor Pavel I. From 1797, Inspector General of the whole Cavalry, from June 1798 also Chief Commander of the Cadet Corps. Participated in the Italian and Swiss campaigns under A. V. Suvorov (1799), and wars with Emperor Napoleon (1805, 1806-07, 1812-14). From 1814 was Commander-in-Chief of the Polish Army, from 1826 acted as Governor General of the Kingdom of Poland. Owned the Marble Palace in St. Petersburg, Konstantinovsky Palace in Strelna. Due to the absence of male descendants of Alexander I, he was announced the successor to the throne and in 1820 contracted a morganatic marriage with countess I. Grudzinskaya (married name Princess Lovich). In 1822 he renounced his succession rights; in 1823 his renunciation was approved by the Manifesto of Alexander I, which was kept in strict confidence. This situation became one of the reasons of the dynastic crisis, which followed after the death of Emperor Alexander I. Members of the secret societies (see Decembrists) attempted to take advantage of the interregnum (November - December 1825). At the beginning of the Polish Revolt of 1830-31 Konstantin Pavlovich fled from Warsaw, and died from cholera in Vitebsk. He was buried in SS. Peter&Paul Cathedral. References: Карнович Е. П. Цесаревич Константин Павлович // Собр. соч.: В 4 т. М., 1995. Т. 3; Барковец А. И., Обатурова М. Н. Цесаревич Константин Павлович. СПб.; Петергоф, 2000; Выскочков Л. В. Император Николай I: Человек и государь. СПб., 2001. С. 194-223. Y. A. Kuzmin.
| | | hidden Kornilov L.G. (1870-1918), military commander, General | KORNILOV Lavr Georgievich (1870-1918), military commander, Infantry General (1917). Graduated from the Infantry Academy (1890), and the General Staff Academy (1896) ... | | KORNILOV Lavr Georgievich (1870-1918), military commander, Infantry General (1917). Graduated from the Infantry Academy (1890), and the General Staff Academy (1896). Participated in military geographical expeditions in Pamir (1890s), in the Russo-Japanese War of 1904-05. In 1907-11 served as military attache in China. At the beginning of WW I of 1914-18 was in command of the 48th Infantry division, in 1915 was taken prisoner, escaped; in 1916 led the 25th Army Corps. Following the February Revolution 1917 received command of the Petrograd Military District, the 8th Army, and the South-Western Front, on 6 July 1917 was appointed the Commander-in-Chief. Disillusioned with the activity of the Provisional Government, undertook an attempt to establish a military dictatorship aiming to save the country from the chaos that gripped the nation: on 25 August 1917 he called for resignation of the Provisional Government and advanced the 3rd Cavalry Corps of General A.M. Krymov on Petrograd. On August 27 Prime Minister A.F. Kerensky declared Kornilov a mutineer. On August 31 Kornilov was arrested. In October he escaped, and in early 1918 became the founder of the White Movement, formed the Volunteer Army in Rostov-on-Don, and led the army through tough fighting to Cuban. Killed by a shell at Ekaterinodar. G. V. Kalashnikov.
| | | hidden Krichinsky S. S., (1874-1923), architect | KRICHINSKY Stepan Samoilovich (1874-1923), architect. After graduating from the Civil Engineers' Institute in 1897, he held a post in the Central Directorate for Irregular Duties ... | | KRICHINSKY Stepan Samoilovich (1874-1923), architect. After graduating from the Civil Engineers' Institute in 1897, he held a post in the Central Directorate for Irregular Duties. Until 1917, he performed the functions of chief architect of the Independent Corps of Frontier Guards. He was also active as architect for the House of Charity (1907-10). His works include residential buildings, religious and public buildings of St. Petersburg, as well as some country manor constructions in the vicinity of St. Petersburg and other provinces of Russia. In 1908-09, he was engaged in building the Trade House for the Guards’ Economic Society under the supervision of E.F. Wirrich (with the co-designership of N.V. Vasilyev). In 1908, he built a stable yard and a palace for E.A. Vorontsova-Dashkova in Shuvalovsky Park in Pargolovo, P.E. Scherbov's mansion in Gatchina in 1910, and Court Cathedral of Our Lady Fedorovskaya in 1911-1914. He also took part in the building of St. Petersburg Cathedral Mosque. Among the residential units built by Krichinsky in St. Petersburg the apartment house of the Emir of Bukhara (44B Kamennoostrovsky Avenue) should be distinguished as one of the most successful examples of Neoclassical house design (1913-1914). Krichinsky built over 24 major buildings in St. Petersburg and other cities of Russia and Europe; he also drafted over 20 plans for individual buildings and received over 20 awards at various architectural contests. From 1921, he taught at the Civil Engineers' Institute. References: Степан Самойлович Кричинский: (Некролог) // Зодчий. 1924. № 1. С. 43-46; Бадялов А. В. Петербургский зодчий С. С. Кричинский // Вопросы истории, теории и практики архитектуры: Межвуз. тем. сб. тр. Л., 1985. С. 88-92; Саблин И. Д. Степан Кричинский // Зодчие Санкт-Петербурга, ХIХ - начало ХХ века. СПб., 1998. С. 827-841. O. A. Chekanova.
| | | hidden Kuchumov A.M. (1912-1993), museum worker | KUCHUMOV Anatoly Mikhailovich (1912-1993, town of Pushkin), museum worker, art historian, honoured culture worker of the Russian Soviet Federative Socialist Republic (1975), honorary citizen of the town of Pavlovsk (1992) ... | | KUCHUMOV Anatoly Mikhailovich (1912-1993, town of Pushkin), museum worker, art historian, honoured culture worker of the Russian Soviet Federative Socialist Republic (1975), honorary citizen of the town of Pavlovsk (1992). In 1930-32, attended the factory school of Okhta Chemical Plant, concurrently attending courses in the Hermitage. In 1932, worked as a cataloguer of the Palace Museum of Pavlovsk; since 1937, headed Alexandrovsky Palace Museum in Pushkin. In 1941, Kochumov took charge of Pushkin museum collections evacuation to Gorky, then to Novosibirsk. In 1944, he returned to Leningrad, and took part in setting up the Central Depository of Museum Collections, becoming its first director. Kuchumov was a member of the Investigation Commission for Valuables Looted by the Nazis (with Kuchumov’s assistance, over 12,000 exhibits were found and returned to museums). In 1956, he was appointed chief curator of Pavlovsk Palace Museum, and became one of the authors of the project of restoration of its interiors. A specialist in the 18th -19th centuries Russian material culture history, Kuchumov provided consulting support to the Hermitage, the State Museum of History, Tretyakov Gallery and other museums. He authored the following books and albums: Pavlovsk. The Palace and the Park (1976), The Decor of Russian Home Interior of the 19th Century (1977), Russian Arts and Crafts of the Late 18th - 19th Centuries (1981), etc. In 1986, he received the Lenin Prize. Kuchumov lived in Pushkin (Alexandrovsky Park, White Tower), Pavlovsk (6 Very Slutskoy Street), in 1983, returned to Pushkin (2 Shkolnaya Street). He was buried at the town cemetery of Pavlovsk. References: Масси С. Павловск: Жизнь рус. дворца. Л., 1990. С. 225-245; Мудров Ю. В. Почетный гражданин Павловска // Мир музея. 1993. № 2. С. 69-70. V. A. Belanina.
| | | hidden Kurekhin S.А. (1954-1996), composer | KUREKHIN Sergey Anatolyevich (1954-1996, St. Petersburg), composer, pianist, actor, showman, writer, eminent rock artist, and one of the leading postmodernists. Living in St. Petersburg from 1971, he studied in the Institute of Culture ... | | KUREKHIN Sergey Anatolyevich (1954-1996, St. Petersburg), composer, pianist, actor, showman, writer, eminent rock artist, and one of the leading postmodernists. Living in St. Petersburg from 1971, he studied in the Institute of Culture. A prominent figure in the so-called Saigon generation of Leningrad rock (see Saigon) from the mid-1970s, he was simultaneously renowned as an outstanding jazz pianist. His Pop Mechanics held the first action in 1984 to exist for ten years. Kurekhin's postmodern invention cannot be positively considered neither concert nor show nor performance. It combined various cultural codes, arts, and music, such as avant-garde jazz, rock, military brass band, symphony orchestra, Gipsy band, variety, and opera, famous actresses playing themselves, etc. It was not uncommon that about 300 performers would participate in a performance. Aquarium, AuktsYon, and Kino musicians appeared on the same stage with a folklore ensemble and circus artists, showgirls side by side with classical ballet, harp players, as well as goats, rabbits, and other animals. A performance consisted of all these fantastical components which were rendered around a particular theme to which Kurekhin improvised. These themes had various names: Five Days of Baron Wrangel's Life, Give the Wolf the Best Food But It Will Never Be the Captain, Suvorov Crossing Kutuzov, and others. He was engaged in composing, recording albums, and playing solo improvisations at the same time. He wrote music for 20 films between 1988 and 1996. As an actor, co-scenarist, and musician, he took part in shooting S. G. Debizhev's Lokh the Winner of Water in 1991, Two Captains Part II, with B. B. Grebenschikov as a co-author, and Insanity Complex, both shot in 1992. He recorded a plenty of discs, Insect Culture, Pop Mechanics 17, Polynesia: Introduction to History, and Sparrow Oratorio the most popular of them. Kurekhin joined E. Limonov's National Bolshevik Party in 1990s and collaborated with A. G. Dugin to publish the Manifesto of New Magicians. After he died, the Kurekhin Public Fund was founded and SKIF, an international festival of postmodern arts, has been held annually. He was buried at Komarovskoe Cemetery. Works: Silent Witness published in St. Petersburg in 1997. Reference: Трофименков М., Ваулина Е. Механика-поп // Театр. жизнь. 1989. № 18. С. 11-13. A. L. Porfiryeva.
| | | hidden | KVASOV Andrey Vasilyevich (circa 1718, St. Petersburg - after 1777), architect, master of Baroque. Brother of Alexey V. Kvasov. He studied at the Construction Office under the guidance of architect M.G. Zemtsov ... | KVASOV Andrey Vasilyevich (circa 1718, St. Petersburg - after 1777), architect, master of Baroque. Brother of Alexey V. Kvasov. He studied at the Construction Office under the guidance of architect M.G. Zemtsov. He worked on the Catherine Palace and park pavilions (1744-48, reconstructed) in Tsarskoe Selo, A.P. Bestuzhev-Ryumin's Palace (1745; reconstructed, see the Senate and Synod Building), created the park ensemble of A.G. Razumovsky's Mansion at Gostilitsy near St. Petersburg (1740-50s; partly preserved). It is believed that he was the author of the Holy Assumption Church at Sennaya Square. He lived at 54 Morskaya Street (the house is reconstructed). From 1748, he lived and worked in Ukraine. V. G. Isachenko.
| | | hidden Lansere N.E. (1879-1942), architect | LANSERE Nikolay Evgenyevich (1879, St. Petersburg -1942), architect and graphic artist, architectural historian and teacher. He was the brother of E.E. Lansere and Z.E. Serebryakova ... | | LANSERE Nikolay Evgenyevich (1879, St. Petersburg -1942), architect and graphic artist, architectural historian and teacher. He was the brother of E.E. Lansere and Z.E. Serebryakova. He graduated from the architectural department of the Higher Arts College attached to the Academy of Arts (1904). Member of the World of Art Union. He taught architectural composition as a professor at various educational institutions, such as E.F. Bogaeva Higher Female Architectural Courses (from 1913), Female Pedagogical Polytechnic Courses (1916-1918), Higher Arts and Technical Institute (1927-30s) etc. He was one of the organisers and a secretary of the Museum of Old St. Petersburg (from 1907). In 1922-1931, he performed the functions of the curator of the historical and domestic department of the State Russian Museum. His works built in the style of retrospectivism include the Synoptic Pavilion on Malaya Konyushennaya Street (1913, restored in 1997), residential houses at 10 Pesochnaya Embankment (1913-14), 43 Tchaikovskogo Street (co-designed, 1914-1916), the School of the Folk Art (now 2A Griboedov Canal Embankment, built in 1914-1915). He participated in the designing of the Historical and Artistic Exhibition of Portraits in the Tauride Palace (1905), the Lomonosov and the Epoch of Elizaveta exhibition (1912) etc. He also practised graphics, the examination and maintenance of monuments. Lansere researched and wrote a number of historical works on architecture (Gatchina Palace, Main Admiralty, Fountain House etc.), they were published in Starye Gody (Old Years) journal and came out as separate editions. After the February Revolution of 1917, he was a member of the Special Conference upon the issues of art attached to the Provisional Government. After the Revolution he continued drafting architectural projects (the residential building of the All-Union Institute of Experimental Medicine at 69-71 Kamennoostrovsky Avenue; "Big House", among other architects). From 1923, he was a member of the Council of Old St. Petersburg Society. Lansere was the first to perform restoration work in Alexander Pushkin's apartment on Moika River Embankment. He took part in the preparation of the exhibition in Peter the Great's Summer Palace. In 1931, he fell victim to the repression, and in 1938 was arrested for the second time. Lansere died in prison. He lived in N.L. Benois' house at 15 Glinki Street. References: Оль Г. А., Лансере Н. Н. Н. Е. Лансере. Л., 1986; Бернер А. В. Род Бенуа и сталинские репрессии // 200 лет семье Бенуа в России: Юбил. сб. СПб., 1994. С. 29; Исаченко В.Г. Творческий путь Н. Е. Лансере // Краеведческие записки: Исслед. и материалы. СПб., 1995. Вып. 3.С. 167-169. V. A. Frolov.
| | | hidden Lenin V.I. (1870-1924), revolutionary, statesman | LENIN (real name Ulyanov) Vladimir Ilyich (1870-1924), political figure, statesman and writer. Upon graduating from the Simbirsk Gymnasium (1887), he entered the Faculty of Law of Kazan University; in the same year got involved in student protests ... | | LENIN (real name Ulyanov) Vladimir Ilyich (1870-1924), political figure, statesman and writer. Upon graduating from the Simbirsk Gymnasium (1887), he entered the Faculty of Law of Kazan University; in the same year got involved in student protests and was expelled from the University. In 1891, he took an external lawyer degree at Petersburg University; in 1892-93, he assisted a lawyer in Samara, attended meetings of the People's Will, then of Marxist circles. After moving to St Petersburg (1893), he was engaged in workers' circles propaganda efforts, and was a founding member of the Petersburg League of Struggle for the Emancipation of the Working Class (1895). In 1894-95, he lived at 7 Kazachy Lane, then in building 1, where he was arrested in December 1895. He was kept at the Preliminary Detention House; in the spring of 1897, he was exiled to the Enisey Province. At the end of his exile in 1900 he went abroad, took part in the publication of the newspaper Iskra and the journal Zarya. At the Second Congress of the Russian Social-Democratic Workers' Party (1903), he established and headed the Bolshevik faction. He was a member of the Central Committee of the Russian Social-Democratic Workers' Party starting November 1903. At the end of 1905, he returned to St Petersburg, edited the legal Bolshevik newspaper Novaya Zhizn. From December 1907, he moved abroad again. He returned to Petrograd on 3(16) April 1917, and was solemnly greeted at the Finland Railway Station. In April-June 1917, he lived at the flat of his sister and brother-in-law A. I. and M. T. Elizarov (48 Shirokaya Street, today Lenina Street), worked in the editorial office of the Pravda newspaper (2/32 Moika River Embankment), was part of the Central Committee and Petrograd Committee of Russian Social-Democratic Workers' Bolshevik Party, which settled in the Kschessinska Mansion in March 1917 without permission. Also upon his arrival in Petrograd, he proposed slogans for the transfer of power to the Soviets (peoples' councils), and prepared for a Socialist Revolution. After the failure of the Bolshevik declarations on 3-4 (16-17) July 1917, he went into hiding, living by Razliv Lake, near Sestroretsk and in Finland (July-September 1917). At the 16 (29) October 1917 meeting of the Central Committee of the Russian Social-Democratic Workers' Bolshevik Party, he urged an armed insurrection against the Provisional Government. Together with L. D. Trotsky, he led the October Revolution in Petrograd. At the Second All-Russian Congress of Soviets he was elected Chairman of the Soviet of Peoples' Commissars. In November 1917 - March 1918, he lived and worked at Smolny. On 11 March 1918, he moved to Moscow along with all Soviet authorities. He came to Petrograd on 12-13 March 1919 for M. T. Elizarov's funeral, and in June of 1920 for the opening of the Second Congress of the Communist International. During the Civil War years, he was Chairman of the Soviet for the Defence of Workers and Peasant (from November 1919, the Soviet of Labour and Defence). At the insistence of his doctors, he lived near Moscow on the Gorky Estate from late 1922, and dictated his last articles and letters until March 1923; then, due to serious disease, he retired from political life. He died on 21 January 1924. On G. E. Zinoviev's initiative, Petrograd was renamed Leningrad on 26 January 1924 by a Decree of the Second Congress of Soviets of the USSR. Many enterprises, institutions, a square, an avenue, streets and lanes were named after Lenin; there are nearly 100 monuments and 120 memorial plaques erected in his honour. The Museum of V. I. Lenin operated in 1937-92. References: Владимир Ильич Ленин: Биогр. хроника, 1870-1924. 052 ., 1970-1985. Т. 1-13; Бондаревская Т. П., Великанова А. Я., Суслова Ф. М. Ленин в Петербурге - Петрограде: Места жизни и деятельности в городе и окрестностях. Л., 1980; Волкогонов Д. А. Ленин: Ист. портр.: В 2 кн. М., 1994; Пейн Р. Ленин: Жизнь и смерть. М., 2003. A. G. Kalmykov.
| | | hidden Lermontov M.Y. (1814-1841), poet | LERMONTOV Mikhail Yurievich (1814-1841), poet, prose writer, playwright. The descendant of G. Lermont, an immigrant from Scotland. Without graduating from Moscow University, Lermontov came to St ... | | LERMONTOV Mikhail Yurievich (1814-1841), poet, prose writer, playwright. The descendant of G. Lermont, an immigrant from Scotland. Without graduating from Moscow University, Lermontov came to St. Petersburg for the first time in 1832, entered the school of Guards Sergeants and Cavalry Cadets, which he left with the rank of a cornet in 1834. The poem Death of the Poet (1837, occasioned by the death of A.S.Pushkin) brought Lermontov not only literary fame but also an arrest and transfer to the Caucases. In 1838 he returned to St. Petersburg, where he stayed until February 1840, when he again was exiled to the Caucasus for participating in a duel; Lermontov's last visit of St. Petersburg was in February - April 1841. His works appeared in Petersburg journals Sovremennik (the poem Borodino, 1837, etc.), Otechestvennye Zapiski (here the majority of life-time publications of Lermontov's works appeared: poem Meditation, 1839, Gratitude, 1840, How often in a motley crowd..., 1840, Motherland, 1841, etc.; separate short stories of the novel A Hero of Our Time, etc.); a regular visitor of Petersburg literary salons of the Karamzins, A.O. Smirnova-Rosset, Count M.Y. Vielgorsky, Count A.G. Laval and Countess I.S. Laval and others. In St. Petersburg the only life-time verse collections of Lermontov's poems Poems by Mikhail Lermontov (1840) and two editions of A Hero of Our Time (1840 and 1841) were issued. In Lermontov's works, that developed in the traditions of the Romanticism, the opposition of prim and prudish St. Petersburg and hospitable and hearty Moscow is distinctly outlined. The unfinished novel Princess Ligovskaya, the story Shtoss and the drama Masquerade are rich in Petersburg realities. The main addresses of Lermontov in St. Petersburg are 10/8 B. Masterskaya Street (today Lermontovsky Avenue), 61 Sadovaya Street (memorial plaque), 20 Sergievskaya Street (today Tchaikovskogo Street). After Lermontov an avenue and a lane, several streets in Pavlovsk, Krasnoselsky District and Kolpinsky District, and the Bridge across Obvodny Canal have been named. The name of the poet was given to the Central District Library of Central District. A bust to Lermontov was placed in the Alexander Garden (1896, sculptor V.P. Creitan, architect N.V. Maximov), and the monument to him was mounted at 54 Lermontovsky Avenue, in front of the building of the former Nikolaevsky Cavalry School (1916, sculptor B.M. Mikeshin). Lermontov's manuscript, his drawings, etc. are treasured in the Lermontovsky Hall of the Institute of Russian Literature of the Russian Academy of Sciences. References: Лермонтовская энциклопедия. М., 1981; Мануйлов В. А., Назарова Л. Н. Лермонтов в Петербурге. Л., 1984. D. N. Akhapkin.
| | | hidden Levinson E.A. (1894-1968), architect | LEVINSON Evgeny Adolfovich (1894-1968, Leningrad), architect and artist, Associate of the Academy of Architecture of the USSR (from 1941), Doctor of Architecture (1946) ... | | LEVINSON Evgeny Adolfovich (1894-1968, Leningrad), architect and artist, Associate of the Academy of Architecture of the USSR (from 1941), Doctor of Architecture (1946). He studied at Civil Engineers' Institute (1915-1916), and graduated from the Academy of Arts (1924-1927). In the early 1920s, he worked as a stage designer in Odessa. His architectural activity is mainly connected with Leningrad. He followed the norms of constructivism in his early works, such as the building of the preventorium (32 Elizarova Avenue, 1928-1930, together with L.V. Rudnev, I.I. Fomin et al.), residential houses at 55 Kamennoostrovsky Avenue (1929-1930, together with A.M. Sokolov) and 20 Pesochnaya Embankment (1930-36). The forms of the late constructivism can be seen in the first apartment house of Leningrad Soviet (13 Karpovka River Embankment; 1931-35, together with Fomin), which is characterized by the dynamics and sculptural expression of curved and right-angled dimensions, Leningrad Soviet Recreation Centre (42 Kamennoostrovsky Avenue; 1931-1938, together with V.O. Munz) and the House of Light Industry (44-46 Voznesensky Avenue; 1932-1935, together with Fomin) which has ornamental details of the facades a la Art Deco. Since the mid-1930s Levinson was involved in the modernization of the city's classical heritage, thus contributing to the establishment of his original Neoclassical style. The dominating point in the buildings of Nevsky District Soviet (163 Obukhovskoy Oborony Avenue, 1936-1939), buildings on Ivanovskaya Street (1937-1940), residential-houses at 8 Petrovskaya Embankment (1938-1940) as well as 145 and 147 Moskovsky Avenue (1938-1940, all of them built together with Fomin et al.) is constituted by the rows of high pylons which accentuate the monumental and large-scale character of the composition. In the 1940s, he took part in the building up of Magnitogorsk, built residential houses in Moscow as well as blocks of low buildings on Krupskoy Street in Leningrad. His post-war works consists of enhancing the retrospective character and ornamentation, such as the apartment house on 1/12 Pestelya Street (1947-1949), the Railway Station in Pushkin (1948-1950; Stalin Award of 1951), Avtovo Metro Station (1950-1955, all of them built together with A.A. Grushke). At that time Levinson paid special attention to the synthesis of arts. His turn to the integrating lapidary forms can be seen in the ensemble of Piskarevskoe Memorial Cemetery (1955-1960, together with A.V. Vasilyev, sculptors V.V. Isaeva, R.K. Taurit et al.). The last stage of his works is represented by neo-constructivist forms, revealed in his return to a strict functionality and laconicism of clear-cut three-dimensional compositions: Sovetskaya Hotel (43/1 Lermontovsky Avenue, 1963-1968), Nevsky Recreation Centre (32 Obukhovskoy Oborony Avenue, 1968-72) etc. Based on the methods of industrial house-building Levinson directed the development of residential blocks in Nevsky District. He also taught at the Leningrad Institute of Municipal Building - Leningrad Building Engineering Institute (1940-46), and was also in charge of a workshop in the Academy of Arts (1941-68; professor from 1947). He lived at 55 Kamennoostrovsky Avenue (1931-68; memorial plaque). He was buried at Serafimovskoe Cemetery. References: Оль Г. А., Левинсон Е. Э. Евгений Левинсон. Л., 1976. B. М. Kirikov.
| | | hidden Likhachev D.S., (1906-1999), literary historian | LIKHACHEV Dmitry Sergeevich (1906 - 1999, St. Petersburg), philologist and cultural historian, Fellow of the Academy of Sciences of the USSR (1970), Hero of Socialist Labor (1986), Honorary Citizen of St ... | | LIKHACHEV Dmitry Sergeevich (1906 - 1999, St. Petersburg), philologist and cultural historian, Fellow of the Academy of Sciences of the USSR (1970), Hero of Socialist Labor (1986), Honorary Citizen of St. Petersburg (1993, the first to be granted the title after it had been restored). Graduated from the Faculty of Philology of the State Leningrad University in 1928. From 1928 to 1932, he was subjected to political persecution and deported to the Solovki camp on the Solovetskie Islands on the White Baltic Sea Canal. Upon returning to Leningrad, he worked as a proof-reader at various Leningrad publishing houses until 1937. In 1954, he joined the staff of the Institute of Russian Literature, also known as the Pushkin House, where he headed the department of Old Russian Literature. From 1946 to 1953, he also taught at the State Leningrad University. He spent the siege winter of 1941/42 in the city, working at the Institute of Russian Literature, and then was evacuated to Kazan, where he stayed until 1944. In 1961-63 and 1987-89, Likhachev was a deputy of the Leningrad City Soviet, and was elected the People"s Deputy of the USSR in 1989. From 1986 to 1991, he was Chairman of the Management Board of the Soviet Cultural Fund, and directed the Russian International Cultural Fund (1991-94), which he helped establish. He was a member of the Union of Writers (1956), and a fellow, associate or honorary doctor of many foreign academies and universities. He published over 600 academic papers and hundreds of articles, many of which deal with the historical and cultural monuments in St. Petersburg. One of the founders of the St. Petersburg Textological Academic School for the Study of Old Russian Literature. Likhachev especially appreciated the European aspect of St. Petersburg culture and, aside from defending certain historical monuments, stood up for following Peter the Great"s general plans for the city. In this spirit he reconstructed the city"s early 20th century cultural topography. His book, Memoirs, published in St. Petersburg in 1995, holds special significance for the city"s history. The scholar"s awards include the Stalin Prize (1952), the State Prize of the USSR (1969), and the State Prize of the Russian Federation (1993). In 1917-28 Likhachev lived at 27 Oranienbaumskaya Street, in 1932-42 he lived at 9 Lakhtinskaya Street, and then moved to 35 Baskov Lane, where he lived until 1964. His last address, from 1964 on, was 34 Second Murinsky Avenue (memorial plaque installed). He was buried at the Komarovskoe Cemetery. The Likhachev"s name was given to school № 47 of the Petrogradsky District. References: Дмитрий Сергеевич Лихачев. 3-е изд., доп. М., 1989. (Материалы к биобиблиогр. ученых СССР. Сер. лит.и яз.; Вып. 17); К 90-летию академика Дмитрия Сергеевича Лихачева // Тр. Отд. древнерус. литературы / Ин-т рус. лит. (Пушкинский дом) РАН. СПб., 1997. Т. 50. С. 3-82; Дмитрий Лихачев и его эпоха: Воспоминания. Эссе. Документы. Фотографии. СПб., 2002. A. G. Bobrov.
| | | hidden Lomonosov M.V. (1711-1765), scientist, poet | LOMONOSOV Mikhail Vasilievich (1711-1765), scientist, poet, enlightener. He came from a prosperous family based by the White Sea. In 1731-35 he studied in Moscow, from 1736 in the Academic University of St ... | | LOMONOSOV Mikhail Vasilievich (1711-1765), scientist, poet, enlightener. He came from a prosperous family based by the White Sea. In 1731-35 he studied in Moscow, from 1736 in the Academic University of St. Petersburg, from autumn 1736 until 1741 he studied abroad. From 1742 he had been a junior scientific assistant for a physics class; from 1745 he was a professor (academician) of chemistry in the Petersburg Academy of Sciences. In 1746 was the first person to lecture on physics in Russian at the Academic University. In 1748 he created the first Russian chemical laboratory (it was located in the so-called Botanic Garden of Academy of Sciences, close to the house where Lomonosov lived, - between the First and the Second Lines of Vasilievsky Island; not preserved). In 1753 on the initiative of Lomonosov a stained glass factory was founded in Ust-Ruditsa (it operated until 1768, there is a memorial obelisk at its location). In 1758 Lomonosov opened a mosaic workshop in St. Petersburg, where the Battle of Poltava panel was made under his guidance (1762-64; today in the building of the Academy of Sciences) and a number of mosaic portraits (in 1763 Lomonosov was elected an honorary member of Academy of Arts). From 1757 Lomonosov was an advisor for the Academy of Sciences Chancery; in 1758 he was charged with supervision over the Geographic Department, Historians Assembly, Academic University and Academic Gymnasium. Lomonosov wrote his major philological works in St. Petersburg: Short Guide for Eloquence (1748) - a general course on theory of literature; Russian Grammar (1757); Introduction to the Use of Church Books for Russian Language (1758), in which the use of three styles of Russian was explained concerning Standard Russian and Russian literary genres. By motivating theoretically syllabo-tonic system of versification Lomonosov as a poet was the creator of the Russian ode (the first sample - ode on the capture of Khotin, 1739, published in 1751), mainly of religious and philosophic content (Evening Thoughts About the Grandeur of God on the occasion of the Great Pole Star, 1743, published in 1748); he wrote satires, poems and tragedies in verse as well. According to Lomonosov's intention the first Russian scientific literary journal, Monthly Writings for Use and Amusement (it was issued in St. Petersburg from1755 to 1764). In his historical works Lomonosov highly valued the activities of Peter the Great, emphasising the importance of the foundation of St. Petersburg as an important stage in acquiring access to the Baltic Sea. From 1757 he had been living in his own house on the right bank of Moika River (it was reconstructed in 1843-45; memorial plaque on the house 61 along Bolshaya Morskaya Street). He was buried at Lazarevskoe Cemetery of Alexander Nevsky Lavra. In 1915 Barachevskaya Street in Rybatskoe Village (today within the limits of the city) was renamed Lomonosovskaya Street (in 1987 it was abolished). In 1948 Oranienbaum was renamed Lomonosov, Chernyshev Bridge, Chernyshev Square and Chernyshev Lane were renamed into Bridge, Square and Street of Lomonosov, Lomonosovskaya metro station and some industrial companies (including Lomonosov Porcelain Plant) were named after Lomonosov. In 1949 the Lomonosov Museum was opened in the building of Kunstkammer, where the scientist had worked from 1741 (memorial plaque). A bust of Lomonosov was installed on Lomonosov Square (1892, sculptor P.P. Zabello, architect A.S. Lytkin), a statue at Universitetskaya Embankment (1986, sculptor B.A. Petrov, V.D. Sveshnikov, architect E.A. Tyakht, I.A. Shakhov). References: Лихоткнн Г. А. Ломоносов в Петербурге. Л., 1981; Белявский М. Т. ...Все испытал и все проник. 2-е изд. М., 1986; Ломоносов: Краткий энциклопедич. словарь. СПб., 1999; Судьба мемориального наследия М. В. Ломоносова // Петербургская Академия наук в истории академий мира: Материалы междунар. конференции. СПб., 1999. Т. 3. O. N. Ansberg.
| | | hidden Lozinsky M.L. (1886-1955), poet, translator | LOZINSKY Mikhail Leonidovich (1886, Gatchina of St. Petersburg Province - 1955, Leningrad), poet, translator. Graduated from the First Petersburg Gymnasium (1904), the Faculty of Law of Petersburg University (1909) ... | | LOZINSKY Mikhail Leonidovich (1886, Gatchina of St. Petersburg Province - 1955, Leningrad), poet, translator. Graduated from the First Petersburg Gymnasium (1904), the Faculty of Law of Petersburg University (1909), took a course at Slavonic-Russian Department of Historical-Philological Faculty. In the 1910s was the secretary of Apollon journal's editor, member of the Guild of Poets, editor of Giperborey journal, meetings of its editorial staff were held in 1912-13 at the flats of Lozinsky (2 Volkhovskoi Lane; from the autumn of 1913 at 28/26 Maly Avenue of Petrogradskaya Side). In 1916 he published his only verse collection Mountain Spring (2nd edition, 1922). In 1914-38 worked in the Public Library (the main librarian, consultant, and the head of fine arts department). A member of editorial board of the World Literature Publishing house. Translated works by Shakespeare, P. Corneille, J. Moliere, F. Lope de Vega and many others. He was awarded the Stalin Prize (1946) for the translation of The Divine Comedy by Dante. Wrote a number of works on theory of translation. In 1915-55 lived at 73-75 Kamennoostrovsky Avenue (memorial plaque). Buried at Literatorskie Mostki. References: Эткинд Е. Г. Творчество М. Лозинского // Багровое светило: Стихи зарубеж. поэтов в пер. М. Лозинского. М., 1974. С. 5-22; Эльзон М. Д. Лозинский Михаил Леонидович // Сотрудники Российской национальной библиотеки - деятели науки и культуры: Биогр. слов. СПб., 1995. Т. 1. С. 327-329; Ахматова А. А. Сочинения: В 2 т. М., 1999. Т. 2. С. 138-143. T. M. Dvinyatina.
| | | hidden Lukomsky G.K.(1884-1952), Artist, Ethnographer | LUKOMSKY Georgy Kreskentievich (1884-1952) was a graphic artist, aquarellist, art critic, art historian. In 1900, he studied at the painting classes and drawing under Y. S. Goldblatt in St. Petersburg ... | | LUKOMSKY Georgy Kreskentievich (1884-1952) was a graphic artist, aquarellist, art critic, art historian. In 1900, he studied at the painting classes and drawing under Y. S. Goldblatt in St. Petersburg. In 1901-03, he studied at the Kazan School of Arts, in 1903-15 (intermittently), he was a student of the Department of Architecture of the Academy of Arts. Artistic tastes and interests of Lukomsky developed under the strong influence of the artists of the World of Art. In 1904-14, Lukomsky travelled in Europe and old Russian cities, he created a series of graphic and water-colour paintings having proved himself as a master of cityscapes. From 1909, he participated in art exhibitions in Russia and abroad. From 1908, he published articles about architecture, painting and applied art in the journals Starye Gody, Zodchy, Apollon etc.; he is the author of the books Old St. Petersburg (1916), Present-Day Petrograd (1917; both were republished in 2002 with commentaries by B. M. Kirikov) etc. In 1917, he was in charge of restoration work in Tsarskoe Selo. He lived at 5 Twenty-Second Line of Vasilievsky Island in St. Petersburg. He left for Kiev in 1918. He emigrated in 1921 and lived in Berlin. He lived in Paris from 1925, and Great Britain from 1940. He published the following books abroad: Andrea Palladio: Life and Creative Works (1927), History of the Russian Painting 1840-1940 (1945) etc. Graphic works by Lukomsky were purchased by many museums of Europe. References: Кобак А. В., Северюхин Д. Я. Г. К. Лукомский: очерк жизни и творчества//Невский архив. Ист.-краевед. сб. СПб., 2003. [Вып.] 6. С. 528-554; Векслер А. Ф. Георгий Крескентьевич Лукомский // Топонимич. журн. 2002. № 1/2. С. 41-44. A. F. Veksler.
| | | hidden Lunacharsky A.V. (1875-1933), revolutionary, statesman | LUNACHARSKY Anatoly Vasilievich (1875-1933), Soviet statesman and party figure, playwright, literary critic, Member of the Academy of Sciences of the USSR (1930) ... | | LUNACHARSKY Anatoly Vasilievich (1875-1933), Soviet statesman and party figure, playwright, literary critic, Member of the Academy of Sciences of the USSR (1930). In 1892, he graduated from the First Kiev Gymnasium; in 1892-94, studied at Zurich University. In Switzerland, he became associated with G. V. Plekhanov and the Group for Labour Liberation. In 1898, he returned to Russia. For his revolutionary activities, Lunacharsky was arrested and exiled more than once. In 1905, he became a member of the editorial staff of the newspaper Novaya Zhizn; in December 1905, he was arrested and held in the Kresty (Crosses) Prison; in 1906, he was released, and shortly afterwards he emigrated. In May 1917, he returned to Petersburg, joined the Mezhraiontsy Party (a small Russian Social Democratic Labour Party group), and together with them was admitted to the Bolshevik Party at the Sixth Congress of the Russian Social-Democratic Workers' Party of Bolsheviks (July 1917). He was a member of the City Duma, and a Deputy Mayor. During July 1917, he was arrested and imprisoned in the Kresty, released shortly afterwards. In 1917-29, he was the People's Commissar for Education. Despite the relocation of the Soviet Government to Moscow (February 1918), he remained in Petrograd. In 1919, he was a founding member of the Bolshoy Drama Theatre. In 1921, he advocated for the Petrograd Philharmonic Orchestra; and, with Lunacharsky's help, the Petrograd Philharmonic Society was formed on the basis of the Petrograd Philharmonic Orchestra. He was involved in returning the Hermitage collections to Petrograd (1920) following their evacuation to Moscow, in the resumption of the Mariinsky and Mikhailovsky Theatres, and made the theatres into state funded establishments. He supported men of science and cultural workers (A. F. Koni, V. I. Zasulich). Authored works on philosophy, the history of public opinion, and history of culture, as well as literary critiques. His plays Faust and the City, Chancellor and Mechanic and others were staged in the Alexandrinsky Theatre in the 1920s. He was the scriptwriter of the first Soviet feature film, Integration (the first viewing took place at 12 Karavannaya Street in 1918, memorial plaque installed; now, the House of Cinema). From 1931, he was Director of the Russian Literature Institute (Pushkin House). In 1933, he was appointed Plenipotentiary to Spain, but died on his way to Madrid. In 1970, an Avenue in the Vyborgsky District was named after Lunacharsky. References: Самойлова Н. А. А. В. Луначарский - борец за советское искусство. М., 1961; Павловский О. А. Луначарский. М., 1980. Y. N. Kruzhnov.
| | | hidden Mamin-Sibiryak D.N. (1852-1912), writer | MAMIN-SIBIRYAK (real name Mamin) Dmitry Narkisovich (1852-1912, St. Petersburg), writer. From 1872 lived in St. Petersburg; in 1872-76 studied at Veterinary Faculty of the Moscow Medical Surgical Academy ... | | MAMIN-SIBIRYAK (real name Mamin) Dmitry Narkisovich (1852-1912, St. Petersburg), writer. From 1872 lived in St. Petersburg; in 1872-76 studied at Veterinary Faculty of the Moscow Medical Surgical Academy, in 1876-77 - at the Faculty of Law of Petersburg University (didn't graduate). In 1877-91 lived in the Urals; from 1891 - in St. Petersburg (8 Saperny Lane; memorial plaque) and Tsarskoe Selo. Mamin-Sibiryak's social novels depicting the life of the industrial Ural (Privalov's Millions, Mountain Nest, Three Ends, Gold, Bread) earned him literary fame. He was the author of the novels about the life of intellectuals, stories and fairy-tales for children (Alenushka's fairy-tales). From the 1890s his works were mainly published in Petersburg journals (Otechestvennye zapiski, Delo, Mir Bozhy, Russkoe Bogatstvo, Severny Vestnik). The novel A Few Strokes of Pepko's Life and Along the New Way deal with problems young men, who have come to the capital from the provinces, face. Buried at Nikolskoe Cemetery of Alexander Nevsky Lavra; in 1932 his remains and memorial were moved to Literatorskie Mostki. The Central Library of the town of Pushkin was named after Mamin-Sibiryak. References: Дергачев И. А. Д. Н. Мамин-Сибиряк: Личность и творчество. 2-е изд., доп. Свердловск, 1981; Бунатян Г. Г. Город муз: Лит. памят. места г. Пушкина. СПб., 2001. С. 208-220. A. B. Muratov.
| | | hidden Mandelstam O.E. (1891-1938), poet | MANDELSTAM Osip Emilievich (1891-1938), poet. The family of Mandelstam came to St. Petersburg in 1897 (before that, from 1894 lived in Pavlovsk of St. Petersburg Province); some addresses are 17 Ofitserskaya Street (today Dekabristov Street) ... | | MANDELSTAM Osip Emilievich (1891-1938), poet. The family of Mandelstam came to St. Petersburg in 1897 (before that, from 1894 lived in Pavlovsk of St. Petersburg Province); some addresses are 17 Ofitserskaya Street (today Dekabristov Street), then - closer to Tenishevsky School, where Mandelstam studied in 1900-07, 49 Liteiny Avenue, 15 Liteiny Avenue, etc. From 1909 Mandelstam attended Ivanov's Wednesday meetings, from 1911 he was a student of Historical -Philological Faculty of Petersburg University (didn't graduate), his works were published in journals Apollon and Giperborey, one of the prominent figures of Brodyachaya Sobaka (Stray Dog) Literary and Artistic Cabaret. Initially a symbolist, Mandelstam quickly became a member of the Guild of Poets and joined the Acmeism movement (see Mandelstam's manifesto The Morning Of Acmeism), published his first collections of poems The Stone (1913, second edition - 1915), the core of which poems about the architectural masterpieces of Western Europe and St. Petersburg form (The Admiralty, Free it ran out into the square..., Palace Square, also Petersburg Stanzas, Tsarskoe Selo). In 1918-20 Mandelstam travelled a lot around Russia, the winter of 1920-21 he spent in St. Petersburg (lived in the House of Arts), wrote a number of poems, that were included in his second collection Tristia (1922, in the original version - The Second Book, 1923). In the 1920s Mandelstam turned to genres of autobiography and essay (The Din Of Time, 1925; The Egyptian Stamp, 1928; Journey to Armenia, 1933; etc.), wrote a number of poetic philosophical articles (collection About Poetry, 1928; Conversation about Dante, 1933), did some translating. From the early 1920s lived mainly in Moscow and in the South of Russia, paid short visits to Leningrad; in 1924-25 he lived at 49 Herzen Street (today Bolshaya Morskaya), in 1925 - in the sanatorium in Detskoe Selo (the wife of Mandelstam, N.Y. Mandelstam, suffered from tuberculosis), from late 1930 to early 1931 he lived at 31 Eighth Line of Vasilievsky Island, with his brother, E.E. Mandelstam (memorial plaque in memory of the poem written here "I have returned to my city..."). Two literary evenings, Mandelstam held during his visit to Leningrad in 1933, remained in the memory of his contemporaries. After some sharp political poems had received publicity in May 1934, he was arrested and spent three years in exile in Voronezh. In the autumn of 1937 he visited Leningrad for the last time. In May 1938 he was again arrested, died in the holding centre not far from Vladivostok. References: Я вернулся в мой город: Петербург Мандельштама. Л., 1991; Лекманов О. А. Жизнь О. Мандельштама. СПб., 2003. T. M. Dvinyatina.
| | | hidden Maria Alexandrovna (1824-1880), Empress | MARIA ALEXANDROVNA (1824-1880, St. Petersburg), Empress (from 1856). Nee Maximiliane Wilhelmine Auguste Sophie, Princess of Hesse-Darmstadt. Emperor Alexander II's wife (from 1841) ... | | MARIA ALEXANDROVNA (1824-1880, St. Petersburg), Empress (from 1856). Nee Maximiliane Wilhelmine Auguste Sophie, Princess of Hesse-Darmstadt. Emperor Alexander II's wife (from 1841). In 1844-62, she was patroness of the Womens' Patriotic Society Vyborgskaya School. From 1860, she became the main patron of the Empress Maria's Department of Institutions. She opened Women's High Schools and Women's Eparchial Schools for many estates. She contributed to the creation of barrack infirmaries at Rozhdestvenskaya City Hospital (1871; 4 Suvorovsky Avenue), which later bore her name, and a school for medical assistants attached to the hospital (1872). She assisted the establishment of the Russian Society for the Red Cross. She supported her husband in carrying out the Great Reforms of the 1860-70s, and from the mid-1860s stopped playing any independent political role. In 1876-77, she voiced support for the Slavs in the Balkans. She owned Alexandria near Peterhof. She was buried at the SS. Peter&Paul Cathedral. References: Бертенсон И. В. Императрица Мария Александровна в ее заботах о деятельности Российского общества Красного Креста // Рус. старина. 1892. Т. 73, янв. С. 1-12. Y. A. Kuzmin.
| | | hidden Mayakovsky V.V. (1893-1930), poet | MAYAKOVSKY Vladimir Vladimirovich (1893-1930), poet. Studied at Kutais Gymnasium and in the Moscow School for Painting, Sculpture and Architecture. He visited St ... | | MAYAKOVSKY Vladimir Vladimirovich (1893-1930), poet. Studied at Kutais Gymnasium and in the Moscow School for Painting, Sculpture and Architecture. He visited St. Petersburg - Petrograd - Leningrad reasonably frequently in 1912-30, lived there in 1915-19 (7 Zhukovskogo Street - at the flats of O.M. Brik and L.Y. Brik; 52 Nadezhdinskaya Street, memorial plaque; from 1936 named after him Mayakovskogo Street). Took an active part in futuristic disputes and public readings (Brodyachaya sobaka Cafe-Cabaret, Troitsky Theatre, Tenishevsky School and many others), in exhibitions of the Petersburg Association of Artists of the Union of the Youth; contributed to journals Novy Satirikon and Letopis. His Petrograd circle of acquaintances was included D.D. Burlyuk, O.M. Brik and L.Y. Brik, A.E. Kruchenykh, V.E. Meyerhold, A.A. Blok, V.Khlebnikov, M. Gorky, K.I. Chukovsky, I.E. Repin. It was in Petrograd that many of Mayakovsky's works were written and published for the first time (A Cloud in Pants, 1915 etc.), and it is here the tragedy Vladimir Mayakovsky (1913), the play Mystery Bouffe (1918) and other plays were staged. The Petrograd of Mayakovsky's poetry is an abstract image of an urban city, depicted through the tragic view of life possessed by his characters (The Hell of the City, Man, etc.), besides it is a topographically accurate display of revolutionary events (Very Good! and others). The monument to Mayakovsky was placed in the public garden at the corner of Mayakovskogo Street and Nekrasova Street (1976, sculptor B.A. Plenkin, architect V.P. Litvyakov). The Central City Library, a metro station, streets in former Volodarsky Village, Strelna, Pavlovsk and other towns have been named after Mayakovsky. References: Эвентов И. С. Маяковский в Петрограде - Ленинграде. Л., 1963; Катанян В.А. Маяковский: Хроника жизни и деятельности. 5-е изд., доп. М., 1985; Вейс З. А., Гречнев В. Я. С Маяковским по Санкт-Петербургу. СПб., 1993. D. N. Cherdakov.
| | | hidden Menelas A.A. (1753-1834), architect | MENELAS Adam Adamovich (1753-1831, Tsarskoe Selo), architect, landscape designer, representative of the late Neoclassicism. Native of Scotland. From 1785, resided in Russia, worked as a mason in the workshop of N.A. Lvov in Torzhok and Mogilev ... | | MENELAS Adam Adamovich (1753-1831, Tsarskoe Selo), architect, landscape designer, representative of the late Neoclassicism. Native of Scotland. From 1785, resided in Russia, worked as a mason in the workshop of N.A. Lvov in Torzhok and Mogilev. From 1800, was employed as an architect by the Counts Razumovsky, from 1813, Counts Stroganov. In 1813-31, was a member of the Building Committee of the Ministry of Internal Affairs. From the early 1810s, Menelas worked in Tsarskoe Selo, where he laid out Alexandrovsky park and erected the pavilions there: the Arsenal (1819-34), the Chapel (1825-28) and the White Tower (1821-27), whose outlook is marked by the English Neo-Gothic architecture influence. In Peterhof, Menelas created the landscape park Alexandria, with a small Palace Cottage in the centre (1826-29), also representative of the English style (its decoration was completed by prominent masters). He erected the Farm Palace on the park premises (1828-30; later re-built). The cast iron gates of Ekaterininsky and Alexandrovsky parks in Tsarskoe Selo are done in the Empire style. The massive Kusminsky (Egyptian) Gates (1829-32) at the gateway of St. Petersburg, adorned with reliefs by V.I. Demut-Malinovsky are especially expressive. Menelas' last work is the Church of St. Alexander Nevsky in Alexandria, in Neo-Gothic style (1831-34; project of the German architect K. Schinkel, with a contribution of I.I. Charlemagne, sculptor Demut-Malinovsky). Reference: Кузнецов С. О. Адам Менелас // Зодчие Санкт-Петербурга, ХIХ - начало ХХ века. СПб., 1998. С. 80-89. V. V. Antonov.
| | | hidden Monakhov N.F., (1875-1936), actor | MONAKHOV Nikolay Fedorovich (1875, St. Petersburg - 1936, Leningrad), actor, People's Artist of Russian Soviet Federative Socialist Republic (1932). Received some education at a school in St ... | | MONAKHOV Nikolay Fedorovich (1875, St. Petersburg - 1936, Leningrad), actor, People's Artist of Russian Soviet Federative Socialist Republic (1932). Received some education at a school in St. Petersburg, and in the City School of Novgorod, but graduated from neither. In 1896-1904, he performed as an accordionist, singer, balalaika-player, and couplets singer on stages of cafes theatres throughout St. Petersburg, Moscow, and in the provinces. From 1904, he played mostly simpleton parts; then he got a part as a jeune premier in an operetta. He scored an instant and huge success and became an operetta leading actor. He performed on operetta stages in St. Petersburg (Buff, Passage, Panaev Theatre), Moscow, and the provinces. In 1913-14 he was an actor at K.A. Mardzhanov's Free Theatre in Moscow, and in 1915-27 as a guest actor in various operettas. In 1918-19, Monakhov took part in the establishment of the Bolshoy Drama Theatre. In 1919-36 he was one of the BDT principals, becoming the BDT's director in 1921-23. His first performance at the BDT (Philip II in Don Carlos by F. Schiller, 1919) confirmed Monakhov's reputation as an outstanding tragic actor who masterfully painted the images of his characters with large lavish strokes while accurately representing psychological undertones. On the drama stage, Monakhov demonstrated his musical talent and virtuoso synthesising technique. Monakhov's best-performed dramatic roles at the BDT included Iago in Othello and Shylock in The Merchant of Venice by W. Shakespeare (1920); Franz Moors in F. Schiller's The Robbers (1919), Tsarevitch Alexey in the play of the same name by D.S. Merezhkovsky (1920); and Captain Christopherson in Anna Christie E. O'Neill (1924). Monakhov's talent was also exhibited in the comic characters of Mascarille in The Pretentious Young Ladies and Sganarelle in The Doctor in Spite of Himself by J.-B. Moliere, Truffaldino in The Servant of Two Masters by C. Goldoni (1921). His most recognized achievements are considered the creation of characters from modern plays: Rasputin in The Plot of the Empress by A.N. Tolstoy and P.E. Shchegolev and Ruzaev in The Rebellion by B. A. Lavreneva (1925), Granatov in A Man with a Brief Case by A.M. Faiko (1928), Egor Bulychov in Egor Bulychov and others by M. Gorky (1932). In 1928 he began acting in films. He wrote the memoirs Story of Life (Leningrad, 1936 and Leningrad; Moscow, 1961) and was buried at Necropolis of Artists. References: Николай Федорович Монахов: К 30-летию артистич. деятельности, 1896-1926. Л., 1926. (Дела и дни Большого драм. театра; № 2); Кугель А. Р. Театральные портреты. Л., 1967. С. 265-283. A. A. Kirillov.
| | | hidden Monighetti I.A. (1819-1878), architect | MONIGHETTI Ippolit Antonovich (1819-1878, St. Petersburg), architect, aquarellist, teacher, associate academy member (1847), professor (1858), court architect (1860) ... | | MONIGHETTI Ippolit Antonovich (1819-1878, St. Petersburg), architect, aquarellist, teacher, associate academy member (1847), professor (1858), court architect (1860). Adherent of Eclecticism, predominantly of the "second Baroque", interior designer and decorator. Monighetti is a descendent of a Russified family of Italian merchants. Graduated from the Stroganov Academy in Moscow (1835) and the Academy of Fine Arts (1839). A student of A.P. Brullov. In 1839-47, lived in Europe. Since 1848, was appointed architect of the Ministry of the Imperial Court and Principalities; worked in Tsarskoe Selo, where he erected the stylized Turkish Bath Pavilion in the park (1850-52), in the town itself, he built over 30 apartment houses (among those remaining is the mansion and summer cottage of Princess Z.I. Yusupova, 1856-59). He masterfully employed various historical styles. In the 1850s-60s he designed the interiors of Yusupov Palace on the Moika River, Mariinsky Palace, Anichkov Palace, Stroganov Mansion in St. Petersburg and of the Catherine Palace in Tsarskoe Selo. In the so-called second Baroque he built Dyleev's mansion (1859, 155 Obvodny Canal Embankment), Zerebtsova's apartment house (1852-54, 9 Gorokhovaya Street), in early Neoclassicism, M.V. Vorontsova's Palace. (1856-57, 106 Moika River Embankment). Engaged in designing household goods. Since 1868, lived in his own mansion in Tsarskoe Selo (has not survived). Buried at the Shuvalovskoe Cemetery. Reference: Листов В. Н. Ипполит Монигетти. Л., 1976; Зодчие Санкт-Петербурга, XIX - начало ХХ века. СПб., 1998. С. 1013-1014. V. V. Antonov.
| | | hidden Mussorgsky М.P., (1839-1881), composer | MUSSORGSKY Modest Petrovich (1839-1881, St. Petersburg), composer. Lived in St. Petersburg from 1849, he studied at St. Petrischule and the Guards and Cavalry Cadets College in 1852-56, situated at the present-day 54 Lermontovsky Avenue ... | | MUSSORGSKY Modest Petrovich (1839-1881, St. Petersburg), composer. Lived in St. Petersburg from 1849, he studied at St. Petrischule and the Guards and Cavalry Cadets College in 1852-56, situated at the present-day 54 Lermontovsky Avenue. After leaving the school he was enlisted in Preobrazhensky Life-guards Regiment, to resign in 1858. He met and became a close friend of A. P. Borodin and M. A. Balakirev in 1856-57 to study composition under the latter and join the Mighty Five. A remarkable pianist, Mussorgsky was the life and soul of all music parties and salons. He made acquaintance with V. I. Lamansky, N. I. Kostomarov, K. D. Kavelin, and I. S. Turgenev and visited the so-called Stasov family's Sunday meetings, Balakirev's Wednesday meetings, C. A. Cui's Thursday meetings, and A. S. Dargomyzhsky's music parties. Close friends since the early 1870s, he and N. A. Rimsky-Korsakov lived together at 11 Panteleymonovskaya Street (today, Pestelya Street) until Mussorgksy rented a flat at 6 Shpalernaya Street (memorial plaque). After the composer died, Rimsky-Korsakov completed his opera Khovanschina, staged by the Amateur Circle of Music and Drama in 1886, and revised Boris Godunov on his own, which was first performed by the Society of Music Collections at the Grand Hall of the Conservatory in 1896 and played instead of the original version till the mid-1950s. His contemporaries would not recognize Mussorsky's innovation, his Boris Godunov was rejected twice by the Board of the Imperial Theatres and heavily distorted to be staged at Mariinsky Theatre and soon withdrawn. His Nursery, Sunless, Songs and Dances of Death, and Pictures at an Exhibition, though masterpieces of chamber music composed in 1872-78, were not really recognised by performers or audiences until the early 20th century. Mussorgsky lived in poverty and drank a lot, which brought to a sudden decline in his health. He died of erysipelas (also known as St. Anthony's fire) in the Nikolaevsky Military Hospital and was buried in the Necropolis of Artists. Mussorgsky's name was given to a music school and Maly Opera and Ballet Theatre (today, Opera and Ballet Theatre). A bust of Mussorgsky was placed in front of the former Guards and Cavalry Cadets College in 1916. A festival was held at Mariinsky Theatre in 1989, declared Mussorgsky's Year by UNESCO, to play all his operas, symphonies, and chamber compositions. References: Орлова А. А. Труды и дни М. П. Мусоргского: Летопись жизни и творчества. М., 1963; Ее же. Мусоргский в Петербурге. Л., 1974; М. П. Мусоргский в воспоминаниях современников. М., 1989. A. L. Porfiryeva.
| | | hidden Nartov A.K. (1693 -1756), mechanic | NARTOV Andrey Konstantinovich (1693-1756, St. Petersburg), mechanic. Worked at the Moscow Mint for the artillery department. In 1712, he settled in St. Petersburg, becoming Tsar Peter the Great's private lathe operator ... | | NARTOV Andrey Konstantinovich (1693-1756, St. Petersburg), mechanic. Worked at the Moscow Mint for the artillery department. In 1712, he settled in St. Petersburg, becoming Tsar Peter the Great's private lathe operator. Upon the Tsar's death in 1725, Nartov, as well as his turnery, came under the supervision of the St. Petersburg Academy of Sciences. He invented and built a number of original lathes, also coming up with new cannon foundries, machines for bore drilling, and some original ignition devices. The lathes and machines that Nartov invented are kept at the State Hermitage, the Military and Historical Museum of Artillery, the Sappers and Signal Troops, and the Summer Palace of Peter the Great; his manuscript treatise, entitled Theatrum Machinorum, is stored at the National Russian Library. He was buried by the Holy Annunciation Church on Vasilievsky Island, and reburied at the Necropolis of the 18th Century in the 1930s. References: Данилевский В. В. Нартов и "Ясное зрелище машин". М.; Л., 1958; Гизе М. Э. Нартов в Петербурге. Л., 1988. V. V. Cheparukhin.
| | | hidden Neradovsky Peter Nikolaevich (1875-1962), artist | NERADOVSKY Peter Nikolaevich (1875-1962), graphic artist, art historian and museum curator. He studied in the Moscow School of Painting, Sculpture and Architecture (1888-96) under Sergey Korovin and Leonid Pasternak and the Academy of Arts ... | | NERADOVSKY Peter Nikolaevich (1875-1962), graphic artist, art historian and museum curator. He studied in the Moscow School of Painting, Sculpture and Architecture (1888-96) under Sergey Korovin and Leonid Pasternak and the Academy of Arts (1896-1903) under Ilya Repin, became a member of the New Society of Artists (from 1903; in 1906-10 - secretary of the Society). He drew fine pencil portraits of his contemporaries (Lev Tolstoy at the Piano, 1895, the Lev Tolstoy Museum, Moscow; Konstantin Somov, 1921; I.S. Ostroukhov, 1923, both in the State Tretyakov Gallery; Sergey Chekhonin, 1922; Elizaveta Kruglikova, 1933, both in the State Russian Museum). From 1909, he worked as curator of the arts department of the Russian Museum, in 1912-29 - director of the department; in 1929-32 - a member of the Russian Museum Board. He managed the scientific re-planning of the exposition and cataloguing the Museum collection. In the 1920s and early 1930s, he also worked in the State Hermitage, the Academy of Material Culture History, and the State Tretyakov Gallery. In 1921-28 he was elected chairman of the Artists Encouragement Fund. In 1932-35 and 1938-43 he was imprisoned on false charges. Later he worked in the Zagorsk Museum. He is the author of scientific articles on Old Russian painting and memoirs. References: Из жизни художника. Л., 1965. O. L. Leikind, D.S. Severukhin.
| | | hidden Nicholas I, Emperor (1796-1855) | NICHOLAS I (1796, Tsarskoe Selo - 1855, St. Petersburg), Emperor (from 1825). Emperor Pavel I and Empress Maria Fedorovna's third son. Married the Princess of Prussia (1817), who took the name of Alexandra Fedorovna ... | | NICHOLAS I (1796, Tsarskoe Selo - 1855, St. Petersburg), Emperor (from 1825). Emperor Pavel I and Empress Maria Fedorovna's third son. Married the Princess of Prussia (1817), who took the name of Alexandra Fedorovna. From 1796, he was Lieutenant General, and from 1817, Inspector General of Engineering. He commanded a guard brigade, and then, from 3 March 1825, commanded the second Guard Infantry Division. In 1823, he was named Crown Prince in declaration by Alexander I, who died before it was made public. After Alexander I's death, Nicholas I could not proclaim himself Emperor immediately on account of the ambiguity surrounding the interregnum. Members of secret societies used the opportunity to attempt an armed uprising on the day of Nicholas I's enthronement (see the Decembrists' Rebellion, 14 December, 1825), which was suppressed. Nicholas I personally commanded the army summoned against the insurgents, and later supervised the investigation and sentencing of the Decembrists. He took interest in engineering and architecture, ratifying plans for the city's development, fortresses, individual buildings, including those of St. Petersburg, and often adjusted them personally. St. Isaac's Cathedral in St. Petersburg was completed during Nicholas I's reign, and the city was beautified by many large-scale buildings and structures. Within Russia, Nicholas I reinforced central state control, suppressed even the mildest uprising or oppositional attitude, and militarised all aspects of state life, creating a Secret Political Police (see the Third Section) and the Gendarmerie. Some of Nicholas I closest associates were Grand Prince Mikhail Pavlovich, the Emperor's brother, Count A.Kh. Benckendorff, Prince A.F. Orlov, Count M.M. Speransky, Count P.D. Kiselev, Count P.A. Kleinmichel. Before taking the crown he lived at Anichkov Palace, presented to him by Emperor Alexander I in 1817, and to which he returned after the fire at the Winter Palace in 1837. During summertime, he lived in the Alexandrovsky Palace at Tsarskoe Selo. He ordered the Alexandria Palace and Park, named after his wife, to be created on the territory of the former Menagerie (Peterhof), which was presented to him. After taking the crown, he lived at the Winter Palace. He also owned Gatchina. He was buried at the SS. Peter&Paul Cathedral. A monument to Nicholas I erected on St. Isaac's Square in 1859. References: Шеманский А. В., Гейченко С. С. Кризис самодержавия: Петергофский Коттедж Николая I. 4-е изд. М.; Л., 1932; Мироненко С. В. Николай I // Романовы: Ист. портреты. М., 1997. Кн. 2. С. 331-403; Выскочков Л.В. Николай I. М., 2003. Y. A. Kuzmin.
| | | hidden Nicholas II, the Emperor (1868-1918) | Nicholas II (1868, Tsarskoe Selo - 1918), Emperor from 1894 to 1917. Son of Emperor Alexander III and Empress Maria Fedorovna. Married Princess of Hesse-Darmstadt, who took the name of Alexandra Fedorovna ... | | Nicholas II (1868, Tsarskoe Selo - 1918), Emperor from 1894 to 1917. Son of Emperor Alexander III and Empress Maria Fedorovna. Married Princess of Hesse-Darmstadt, who took the name of Alexandra Fedorovna. He was Crown Prince and Tsesarevitch since 1881. He served as a colonel in the Preobrazhensky Life Guards Regiment (1892). He lived in the Anichkov Palace, and after his marriage moved into the Winter Palace; during the summer he lived at the Nizhny Palace of Alexandria, where his children were born. In 1904, after the birth of his son Alexey, he moved to the Alexandrovsky Palace at Tsarskoe Selo. Nicholas I idealized the reign of Alexey Mikhailovich, and as a result Fedorovsky Settlement and the Court Cathedral of Our Lady Fedorovskaya at Tsarskoe Selo were built in the Neo-Russian style. After taking the crown, Nicholas followed his father's conservative course, appealing to the public to end their senseless dreams for increased local authority and establishment of any form of peoples' representation. The defeat of Russia in the Russo-Japanese War of 1904-05, and the events of 9 September 1905 (see Bloody Sunday), led to the Revolution of 1905-07. Nicholas II signed a declaration ratifying civil and political liberties in Peterhof during the Total Political Strike, which spread through the country on 17 October 1905. From August, 1915, Nicholas II was Supreme Allied Commander of the Russian army, spending the majority of his time at the General's Headquarters, which led him to lose control of the situation in the capital. As a result of the February Revolution of 2(15) March 1917 he abdicated, was arrested, and kept under house arrest in Tsarskoe Selo; from August, he was kept in Tobolsk; in April 1918, he was taken to Ekaterinburg, where he was shot by the Bolsheviks together with his entire family and his close associates. In 1998, he was reburied in the Catherine aisle of the SS. Peter&Paul Cathedral. He was canonised by the Russian Orthodox Church Outside of Russia (1981) and the Russian Orthodox Church (2000). Busts of Nicholas II are installed in the town of Pushkin at the Court Cathedral of Our Lady Fedorovskaya (1993, sculptor V.V. Zayko), and in St. Petersburg at the Church of the Exaltation of the Holy Cross at Ligovsky Avenue. (2002, sculptor S. Alipov). Works: Diary. Moscow, 1992. References: Гейченко С. С., Шеманский А. В. Последние Романовы в Петергофе: Путеводитель по Нижней даче. 3-е изд. М.; Л., 1931; Ананьич Б. В., Ганелин Р. Ш. Николай II // ВИ. 1993. №2. С. 58-76; Боханов А. Н. Сумерки монархии. М., 1993; Его же. Николай II // Романовы: Ист. портреты. М., 1997. Кн. 2. С. 583-681; Несин В. Н. Зимний дворец в царствование последнего императора Николая II (1894-1917). СПб., 1999; Буранов Ю. А., Хрусталев В. М. Романовы: Гибель династии. М., 2000. Y. A. Kuzmin.
| | | hidden Peter I the Great (1672 - 1725), the Tsar (from 1682), the Emperor (from 1721). | Peter I the Great (1672–1725, SPb), the Tsar (from 1682), the Emperor (from 1721). He was a son of Tsar Alexei Mikhailovich in the second marriage (to N. К. Naryshkina) ... | | Peter I the Great (1672–1725, SPb), the Tsar (from 1682), the Emperor (from 1721). He was a son of Tsar Alexei Mikhailovich in the second marriage (to N. К. Naryshkina). Peter I carried out the military reform (the Regular Army and Navy were created), the reform of the State administration, the tax reform ( taxation of a person was established, serfdom was strengthen). Peter I aspired to introduce the Western European civilization into Russia, he visited Europe with the Great Embassy in 1697-1698; he invited foreign specialists to work in Russia. Peter I was interested in sciences and advanced technology of his time, the Academy of Sciences was opened on Peter's initiative (in 1724). The Russian every day life was changed dramatically by Peter's reforms that were realized by means of harsh methods. During 1700-1721 Peter I led his army in the Northen War with Sweden, after that Russia returned the banks of the Neva River, the Baltic States, Sourth -East part of Finland (Vyborg). Peter I was buried in the Peter and Paul Cathedral in Saint Petersburg. In 1703 Peter I founded the new city of Saint Petersburg in the delta of the Neva River. Peter I took part in the working out the city development plans, he planned to create a city-port, like Venice and Amsterdam, with many rivers and canals used for sailing and moving citizens. Under Peter I rule the first canals were built: Kronwerk tributary around the Peter and Paul Fortress (1706), the Kryukov canal between the Neva River and the Moika River (1717-19), the Winter Ditch (1718), the Swan Canal (1716), the Red Canal between the Moika and the Neva, later it was filled with earth (1711), the Ligovsky Canal, later it was filled with earth , canals on Vasilyevsky Island , the Admiralty Canal (1711-20). In 1718 the constructing of the Ladoga Canal was began along the South shore of Ladoga Lake from the Volkhov River to the Neva ( later the canal was named after Peter the Great, now it is named as the Old-Ladoga Canal) for the safe sailing of the cargo boats to Saint Petersburg. (Peter I inspected constructing the canal in the autumn of 1724). Fountains were constructed in the Summer Gardens and Peterhof (v. The Peterhof fountain system). Gutters strengthen by planks were used in streets of Saint Peresburg, the undeground wooden pipes were also used as drainage system. The brick manifold of the first quarter of the 18th cent., which was used as drainage system of adjacent territory, was found by archeologists during the archeological dig at the Spit of Vasilyevsky Island near the Twelve Collegiums Building during 2000-2002. Directives concerning the ban on polluting rivers and canals of Saint Peresburg (making rubbish dumps, sanding logs on banks of rivers, etc), concerning the navigation were issured under Peter I's rule. In 1718 responsibilities of the police were to observe the condition of gutters which conducted the water into rivers. Peter I organized the first measures for the defence of Saint Petersburg against floods. In 1715 Peter I ordered to measure regularly the water level in the Neva River, and in 1721 the supervision of technicians on the strenghtening of banks of the Big Neva River was organized. The first wooden embankments were built in the Petrogradsky Island (its name was Gorodskoy during the first third of the 18th cent. ) and in the left bank of the Neva River between the Main Admiralty and the Summer Gardens. The stone embankments were built near the Winter Ditch and on the territory of the Summer Gardens in 1718-1723.
| | | hidden Petrov-Vodkin K.S., Artist (1878-1939) | PETROV-VODKIN Kuzma Sergeevich (1878-1939, Leningrad) was an artist, honoured worker of arts of the Russian Soviet Federative Socialist Republic (1930). He trained at the Central College of Technical Drawing from 1895 to 1897 ... | | PETROV-VODKIN Kuzma Sergeevich (1878-1939, Leningrad) was an artist, honoured worker of arts of the Russian Soviet Federative Socialist Republic (1930). He trained at the Central College of Technical Drawing from 1895 to 1897, at the Moscow College of Painting, Sculpture and Architecture from 1897 to 1905, under V. A. Serov, in Munich in 1901 and Paris from 1905 to 1908. He was a member of the World of Art from 1911. He lived in St. Petersburg from 1909. He represented the symbolist school in the Russian painting. He invented a special artistic and plastic system based on the principle of spherical perspectives and the chromatic connections of the three colours blue-yellow-red originating from the traditions of icon painting. He created the parable painting Bathing of the Red Horse, 1912, exhibited in the State Tretyakov Gallery perceived by contemporaries as a symbolic image of the fate of Russia. During the Soviet period he created a number of canvases penetrated with revolutionary romanticism: Year 1918 in Petrograd, 1920, exhibited at the State Tretyakov Gallery, Death of the Commissar, 1928, The Year 1919: Anxiety, 1934, both are on exhibition in the State Russian Museum. He also painted still lives and portraits, including one of A. A. Akhmatova in 1922, exhibited in the State Russian Museum. He taught at the Zvantseva School of Arts from 1910 to 1916 and at the Academy of Arts from 1918 to 1933. He was one of the reorganisers of the system of art education in Leningrad. He was the first chairman of the management board at the Leningrad Department of the Artists" Union of the Russian Soviet Federative Socialist Republic, a post he held from 1932 to 1937. He wrote autobiographical prose, essays and theoretical articles about art. Before 1924, he lived on 9 Eighteenth Line of Vasilievsky Island. In 1927-1936, he lived in the town Detskoe Selo (today Pushkin) at 2 Komsomolskaya (today Sadovaya) Street, from 1936, he lived in Leningrad at 14 Kirovsky (Kamennoostrovsky) Avenue where a memorial plaque is now located. He was buried at Literatorskie Mostki (the headstone was made in 1953 by sculptor B. E. Kaplyansky). Works: Khlynovsk. Euclid"s Space. Samarkandiya. The second edition. Leningrad, 1982; Letters, Articles, Speeches, Documents, Moscow, 1991. References: Русаков Ю. А. Петров-Водкин. Л., 1975; Селизарова Е. Н. Петров-Водкин в Петербурге - Петрограде - Ленинграде. СПб., 1993. O. L. Leikind, D.Y. Severyukhin.
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