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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Kozlov Grigory Mikhailovich hidden Catherine Park (Pushkin town), ensemble | CATHERINE PARK (Pushkin town), a monument of landscape architecture and the central part of Tsarskoe Selo palace ensemble. Its consists of a total of 107 hectares The park consists of a grassed and a landscape areas, divided by the Great Pond ... | | CATHERINE PARK (Pushkin town), a monument of landscape architecture and the central part of Tsarskoe Selo palace ensemble. Its consists of a total of 107 hectares The park consists of a grassed and a landscape areas, divided by the Great Pond, formed by damming the Vangazia Brook. The regular Old Park (1717-20s, garden masters Y. Roozen and I. Focht) was laid out on artificial terraces to the north of the pond. There are parterre lawns and flower gardens on the upper terrace near the Catherine park, two small ponds on the next one, and on the lower terrace there are bosquets between the three divergent alley ways, leading to Rybny Canal, behind which, in the so-called Wild Grove, the Hermitage pavilion is situated (1744-54, architect M.G. Zemtsov , F. Rastrelli). The Grotto (Morning Hall) is located on the bank of the pond (1749-61, architect Rastrelli). There are marble sculptures and busts of the early 18th century on the park's paths (masters A. Tarsia, P. Baratta, et al.). Pavilions of the Upper and the Lower Baths were constructed in classical style on the terraces of the garden by projects of architect I.V. Neelov (see the Neelov family) in the late 1770s, and the Hermitage kitchen in the Pseudo-Gothic style at the Wild Grove entrance. The practice of tree trimming was ceased under Empress Catherine II, and the garden lost its regular character. The landscape part of the Catherine Park (1762-96, garden masters J. Bush, T. Ilyin, architect V.I. Neelov) was laid out around the Great Pond, the geometric outlines of which were changed to fit the landscape style, and the following artificial islands were made: the Great Island (with a hall on it, 1794, architect G. Quarenghi), Wild Island, Stone Island, and Rabbit Island. Artificial Cascading Ponds were connected with the Great Pond. Admiralty complex (1773-77, architect V.I. Neelov) is situated on the east bank of the Great Pond. The Column of Morea (1771), Kagul Obelisk (1771-72) and Chesme Column (1774-76) were erected in honour of victories in the Russo-Turkish Wars of the second half of the 18th century in the landscape part of the park by projects of architect A. Rinaldi. In the south part of the Catherine Park the Tower Ruin with a rampart of packed earth (1771-73), the Gothic Gates (1777-80, architect Y.M. Velten), and Gatchina (Orlov) Gates (1777-78, architect Rinaldi). Nearby, located beyond the park boundary, the Crimea Column is situated (1777-85, sculptor G.I. Kozlov). Swan pools with weirs and cascades are located to the southwest of the Great Pond, behind Sibirsky (Palladiev) Bridge (1772-74, architect V. I. Neelov). The Pyramid with a cemetery for dogs of the royal court with Water Laborinth near it are in the same part of the park. In the western part of the Catherine park there is the Ramp Alley and the Granite Terrace (1809, architect L. Rusca), on which copies of Antique sculptures were installed in the 1850s (master A. Hamburger). A path leads down from the terrace to the Milk Maid fountain (1816, engineer A.A. Bethencourt; female statue - sculptor P.P. Sokolov). To the west of the Ramp Alley there are the Upper Ponds, with the Concert Hall on an island with the Kitchen Ruins (1782-88, architect Quarenghi) and the Evening Hall pavilion (1796, architect I.V. Neelov, 1810-11, architect Rusca). the Catherine Park is separated from the Chinese Village by Podkapriznaya Road. In the 19th century the Catherine Park was enriched with: gates "For My Dear Colleagues" (1817, architect V.P. Stasov), the Turkish Baths (the 1850s, architect I.A. Monighetti), the Personal Garden was laid out with marble pergola and a fountain (1865, architect A.F. Vidov). The Regular design of the Old Garden was restored in the 1960-70s (architect N.E. Tumanova). Reference: see Tsarskoe Selo entry. A. A. Alexeev. Persons Baratta Pietro Bethencourt Avgustin Avgustinovich Bush Joseph (John) Catherine II, Empress Felten Yury (Georg Friedrich) Matveevich Foсht I. Hamburger I.A. Ilyin T. Kozlov Grigory Mikhailovich Monighetti Ippolito Antonovich Neelov Ilya Vasilievich Neelov Vasily Ivanovich Quarenghi Giacomo Rastrelli Francesco de Rinaldi Antonio Roozen Yan Rusca Luigi (Aloisy Ivanovich) Sokolov Pavel Petrovich Stasov Vasily Petrovich Tarsia Antonio Tumanova Natalia Evgenievna Vidov Alexander Fomich Zemtsov Mikhail Grigorievich
| | | hidden The Crimean (Siberian) Column, a monument | The town of Pushkin, 64/68 Parkovaya Street.The painter: Gavriyil Ignatyevich Kozlov (1738-1791)The monument was opened in July 1777.The sculptor decoration was set on the obelisk top in 1785 ... | | The town of Pushkin, 64/68 Parkovaya Street. The painter: Gavriyil Ignatyevich Kozlov (1738-1791) The monument was opened in July 1777. The sculptor decoration was set on the obelisk top in 1785. Materials: Gornoshitsky light gray polished marble was used for column, the foundation was made of gray granite, the sculptor decoration on the top was made of bronze. The Crimean (Siberian) Column is devoted to the annexation of the Crimea according to the Peace Treaty of Küçük Kaynarca which finished the Russo - Turkey War of 1768-1774. Constructing the column was connected with the constructing of the complex of the Reserved yard and guard-houses to the design of the architect V.I. Neyelov on the territory outside of the Catherine Park. A marble column was decided to set in the square in front of buildings of the guard-houses according to the request of Catherine II. A monolith for making the column was brought from Yekaterinburg. Firstly the column was named “Siberian” by the place of extraction of marble. The complete decoration of the column was made in workshops of the office of building the St. Isaac’s Church. In March 1777 the column was brought into Tsarskoye Selo, in July it was placed on the foundation. For a long time there was not a sculptor decoration on its top. After the legal implementation of the joining of the Crimea to Russia in 1783 the artist G.I. Kozlov got the order to create the decorative symbol composition “Trofei” (“Trophies”). The composition, which included Turkish flags, horse-tails, arms, was cast at the Petersburg State Bronze Factory. On 22 October 1785 the composition was set on the top of the column. The column was named Crimean. The original architect surrounding of the monument was completely lost. The monument high is 16.57 metres, the column high is 10.55 meters, the bronze composition high is 2.55 metres. Persons Catherine II, Empress Kozlov Grigory Mikhailovich Neelov Vasily Ivanovich Addresses Parkovaya Street/Pushkin, town, house 64/68
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