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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Pevtsov Illarion Nikolaevich hidden Pevtsov I.N., (1879-1934), actor | |
PEVTSOV Illarion Nikolaevich (1879-1934, Leningrad), actor, pedagogue, People's Artist of Russian Soviet Federative Socialist Republic (1932). In 1902, completed drama courses at the Musical Drama School of Moscow Philharmonic Society ... | | PEVTSOV Illarion Nikolaevich (1879-1934, Leningrad), actor, pedagogue, People's Artist of Russian Soviet Federative Socialist Republic (1932). In 1902, completed drama courses at the Musical Drama School of Moscow Philharmonic Society. In 1902-15, performed mainly in the provinces. In 1902-05, worked in the Troupe of Russian Drama Actors under the leadership of A.S. Kosheverov and V.E. Meyerhold (from 1903, the New Drama Theatre), in 1905 in the studio of the Moscow Art Theatre. In 1915-18 he worked as a leading actor at the Moscow Drama Theatre of the Sukhodolskys (in 1919-20 the State Demonstration Theatre of the Theatre Department of the People's Commissariat of Education). In 1922, he worked at the Moscow Academic Art Theatre, in 1922-25 at the first Studio of the Moscow Academic Art Theatre/Second Moscow Academic Art Theatre, and in 1924, concurrently, at the theatre of the Moscow City Soviet of Trade Unions. In 1916-17, he lectured at the studio of the Moscow Drama Theatre, F.F. Komissarzhevsky's Moscow Studio, and S.V. Aydarov's Theatrical Studio. In 1920-22 he was director and teacher at the Young Masters Moscow Studio, which was transformed into the Second State Theatrical College. He lived in Leningrad from 1925. In 1925-34 he worked as an actor at the Leningrad Academic Drama Theatre (see Alexandrinsky Theatre). He perfected his roles over many years and performed them in various theatres, including Protasov in The Living Corpse by Leo Tolstoy (1925), Stranger in Masquerade by M.Y. Lermontov (1926 and 1933), and Paul I in Paul I by D.S. Merezhkovsky (1928). He often resorted to his refined psychotechnics, painting the images of his characters with large brush strokes, representing their most prominent features (Krutitsky in What a sudden change from scarcity to plenty!, 1926, and Chugunov in Wolves and Sheep, 1927, by A.N. Ostrovsky; Tartuffe in the play of the same name by J.B. Moliere, 1929; Repetilov in Woe from Wit by A.S. Griboedov, 1932). Pevtsov's also had a separate group of parts called his "former characters," exemplified by Sevostyanov from the End of Krivorylsk, 1926, and Gennady from The Fire Bridge, 1929, both by B.S. Romashov; Nezelasov from Armoured Train 14-69 by V.V. Ivanov, 1927; and Colonel Borozdin in the film Chapaev, 1934. The dramatic aspect of the ideology of individualism was exposed in the character of Professor Borodin in Fear by A.N. Afinogenov (1931). In his last years, he took a great interest in the cinema, having started acting in films in 1916 with The One Slapped on the Face. In 1926-27, he taught at the studio of the Academic Drama Theatre. Pevtsov's literary works and memoirs of his contemporaries were published in the collection Illarion Nikolaevich Pevtsov (Moscow, 1978). Buried at Necropolis of Artists. References: Цимбал С. Л. Творческая судьба Певцова. Л.; М., 1957. A. A. Kirillov.
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Aleksey Nikolayevich Tolstoy with his family moved into the house of Vuich located in 6 Proletarskaya Street (now it is Tserkovnaya (Church) Street). In this house Tolstoy worked on the novels "Pyotr I" (Peter the First") ... | | Aleksey Nikolayevich Tolstoy with his family moved into the house of Vuich located in 6 Proletarskaya Street (now it is Tserkovnaya (Church) Street). In this house Tolstoy worked on the novels "Pyotr I" (Peter the First"), "Chernoye zoloto" ("the Black Gold"), the trilogy of novels "Khozhdeniye po mukam", consisting of "Sestry" (“Sisters”), "Vosemnadtsaty god" (“The Year 1918”), and "Khmuroe utro" (“A Gloomy Morning”), wrote the story "Gobelen Marii-Antuanetti" ("The Tapestry of Marie-Antoinette"), the tale "Zolotoy Klyuchik" ("The Golden key"), the libretto for Yu. Shaporin's opera "Dekabristi" ("Decembrists"), started the work on "Oborona Tsaritsina" ("The Defence of Tsaritsin"). He lived and worked here untill his departure to Moscow in 1938. The house of A.N. Tolstoy, the centre of the cultural life of Detskoye Selo of the 1930s, was visited by writers V.A. Rozhdestvensky, V.M. Inber, V.Ya. Shishkiv, O.D. Forsh, I.A. Andronikov, L.V. Nikulin, B.A. Lavrenev, M.M. Zoshchenko, the literary critic P.Ye. Shchegolev, artists G.S. Ulanova, Ye.I. Time, V.I. Kachalov, N.V. Pevtsov, M.F. Monakhov, the painter K.S. Petrov-Vodkin, composers Yu.A. Shaporin, V.M. Bogdanov-Berezovsky, D.D. Shostakovich, conductors A.V. Gauk, A.Sh. Melik-Pashayev, scientists A.F. Ioffe, A.M. Bonch-Bruyevich, L.D. Landau. During 1933-1934 A.N. Tolstoy was a deputy of the Detskoye Selo District Soviet, his articles were often published on pages of the district newspaper "Bolshevistskoye slovo" ("Bolsheviks' Word"). Repairing excavators was mastered in the Stream Locomotive Repair Base named after Uritsky (PPRMZ) under the direction of the talented engineer Vladimir Ivanovich Shkvokhin, who became the director of plants "Remputmash" of the Ministry of Transport.
Persons Andronnikov Irakly Luarsabovich Bogdanov-Berezovsky Valerian Mikhailovich Bonch-Bruevich Mikhail Alexandrovich Forsh Olga Dmitrievna Gauk Alexander Vasilievich Inber Vera Mikhailovna Ioffe Abram Fedorovich Kachalov (the real surname is Shverubovich), Vasily Ivanovich Landau Lev Davydovich Lavrenev Boris Andreevich Melik-Pashayev, Aleksandr Shamilyevich Monakhov Nikolay Fedorovich Nikulin Lev Veniaminovich Petrov-Vodkin Kuzma Sergeevich Pevtsov Illarion Nikolaevich Rozhdestvensky Vsevolod Alexandrovich Shaporin Yury Alexandrovich Shchegolev Pavel Eliseevich Shishkov Alexander Semenovich Shkvokhin, Vladimir Ivanovich Shostakovich Dmitry Dmitrievich Time Elizaveta Ivanovna Tolstoy Alexey Nikolaevich Ulanova Galina Sergeevna Zoschenko Mikhail Mikhailovich
Addresses Tserkovnaya Street/Pushkin, town, house 6
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