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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Nicholas I, Emperor hidden Alexander II , Emperor (1818-1881) | ALEXANDER II (1818-1881, St. Petersburg), Emperor (since 1855). He was a son of Emperor Nicholas I and Empress Alexandra Fedorovna. Tsarevitch (from 1831), General of Infantry (1847), Honorary Member of the Petersburg Academy of Sciences (1826) ... | | ALEXANDER II (1818-1881, St. Petersburg), Emperor (since 1855). He was a son of Emperor Nicholas I and Empress Alexandra Fedorovna. Tsarevitch (from 1831), General of Infantry (1847), Honorary Member of the Petersburg Academy of Sciences (1826). His first marriage was to the Princess of Hesse and Rhine, who took the name of Maria Alexandrovna; his second (morganatic) marriage to Princess E.M. Dolgorukova (1880), who received the title of Princess Yuryevskaya. He was a member of the Committee for the Neva Bridge Construction (1841), and the head of the Committee of the St. Petersburg - Moscow Railway Construction (1842). From 1849, he commanded the Guard and Grenadier Corps, was the head of the Main Military Schools (until 1860), and Trustee of the Chesme Military Hospital. In the 1860-70s, he carried out various reforms, such as peasant (abolishment serfdom, 1861), judicial (1864), land (1865), city (see City reform 1870), and military (the 1860-70s) reforms, all of which came to be known in Russian history as the Great Reforms of Alexander II. Many people had considerable influence on state affairs and government throughout different periods of his reign, including his brother Grand Prince Konstantin Nikolaevich, aunt Grand Princess Elena Pavlovna, P.D. Kiselev, Y.I. Rostovtsev, P.A. Valuev, D.A. Milyutin, A.M. Gorchakov, P.A. Shuvalov (see the Shuvalovs), and M.T. Loris-Melikov. In 1866-81, members of secret revolutionary societies made a number of attempts on Alexander II's life, some of them in St. Petersburg. In 1866, D.V. Karakozov shot at the Tsar through the ironwork of the Summer Garden (a chapel was built on the place of attempt; not preserved), in 1879, A.K. Solovyev made an attempt on Palace Square; in 1880, S.N. Khalturin planted an explosive in the Winter Palace. On 1 March 1881, Alexander II was fatally wounded on the Catherine Canal Embankment (today Griboedova Canal) as a result of a terrorist attack by members of the group Narodnaya Volya (People's Will), and died several hours later in the Winter Palace. He was buried in the SS. Peter&Paul Cathedral. The Holy Resurrection Cathedral was built on site of the assassination. Before taking the crown, Alexander II lived in Anichkov Palace, then in the Winter Palace. In summertime he preferred the Tsarskoe Selo (particularly the Zubov Wing of the Catherine Palace), and the Farmer Palace in Alexandria. He owned Petrovsky Island, Anichkov Palace, a cottage, a personal dacha in Peterhof (1843), the Ropsha grange in the Peterhof District, and the city of Gatchina. References: Александр II и его эпоха: К 140-летию со дня восшествия на престол: Тез. докл. конф. СПб., 1995; Захарова Л. Г. Александр II // Романовы: Ист. портреты, 1762-1917. М., 1997. Кн. 2. С. 404-490; Толмачев Е. П. Александр II и его время: В 2 кн. М., 1998; Александр II и Царское Село: Кат. выст. / Гос. музей-заповедник "Царское Село". СПб., 2000. Y. A. Kuzmin.
| | | hidden Alexandrovsky Park (Pushkin) | ALEXANDROVSKY PARK (Pushkin), a landscape architecture monument, situated west of Ekaterininsky Park. The park is a part of Tsarskoe Selo palace and park ensemble. Alexandrovsky Park covers an area of 120 hectares ... | | ALEXANDROVSKY PARK (Pushkin), a landscape architecture monument, situated west of Ekaterininsky Park. The park is a part of Tsarskoe Selo palace and park ensemble. Alexandrovsky Park covers an area of 120 hectares. Its old regular part (the New Garden) was laid out in the 1750s (allegedly, by architects S.I. Chevakinsky, N. Girard); it is divided by Krestovy Canal into four squares with amusement tricks: scarpir (a round area with slopes), Chinese theatre (1778-79, architects A. Rinaldi, I.V. Neelov); Parnas hill and water maze. Over the canal, Krestovy, Kitaysky, Drakonov and other bridges were erected (built in the 1770s, architect Neelov). The complex of Chinese Village is situated south of the New Garden. The landscape park was established in the 1790s at the same time with the construction of Alexandrovsky Palace on the ground of the Menagerie of the period of Elizaveta Petrovna's reign (the fragments of bastions and canals setting its bounds remained to date). In the landscaped part of Alexandrovsky Park the artificial ponds were made: Detsky Pond (on the island there is a pavilion built for Emperor Nicholas I's children), Nizhny Pond, Vittolovsky Pond, and Lamsky. In the 1820s–30s according to the projects of architect A.A. Menelas, ornamental pavilions were built in various parts of the park. These included the White Tower (1821 - 27; destroyed during the Great Patriotic War, restored in the 1990s); the Arsenal (1819-34; built on the site of Mon bijou pavilion designed by architect S.I. Chevakinsky in 1747-54); Chapelle (Chapel; 1825–28) – neo-Gothic. Opposite the Chapelle, there are classical palace green-houses (1819-28). In the western part of Alexandrovsky Park flows the Kuzminka river, which has been dammed. Beside the river stands Lamsky Pavilion (1882), built for keeping lamas given to Emperor Alexander I (Nicholas II established a dark room here); and Pensionerskie Stables (1827-29), where emperors' horses were kept. North of Alexandrovsky Park, there are Feodorovsky Village, Ratnaya Chamber and other buildings in the neo-Russian style of the beginning of the 20th century. Reference: see Tsarskoe Selo. A. A. Alexeev. Persons Alexander I, Emperor Chevakinsky Savva Ivanovich Elizaveta Petrovna, Empress Girard N. Menelas Adam Adamovich Neelov Ilya Vasilievich Nicholas I, Emperor Nicholas II, Emperor Rinaldi Antonio the Neelovs
| | | hidden Benckendorff A. K. (1781-1844), statesman | BENCKENDORFF (v. Benckendorff) Alexander Khristoforovich (Konstantin Alexander Karl Wilhelm Christopher) (1781, St. Petersburg 1844), Count (1832), statesman and military officer, Infantry General, Cavalry General (1829), honorary member of the St ... | | BENCKENDORFF (v. Benckendorff) Alexander Khristoforovich (Konstantin Alexander Karl Wilhelm Christopher) (1781, St. Petersburg 1844), Count (1832), statesman and military officer, Infantry General, Cavalry General (1829), honorary member of the St. Petersburg Academy of Sciences (1827). Brought up and educated in the boarding school of abbot C.D. Nicholas. From 1798 was on military service, took part in the Russo-Prusso-French War (1806-07) and Russo-Turkish War (1809-11). At the time of the Patriotic War of 1812 and campaigns of 1813-14 commanded an independent cavalry detachment, operating at the enemy rear. In 1814 appointed Brigade Commander, in 1816 - Division Commander, in 1819 — Chief of Staff of the Guards Corps. In the 1810s became a mason, and member of the St.Petersburg Masonic Lodge "United Friends". His conduct during the disorders in the Semenovsky Life Guards Regiment (1820) caused the displeasure of Emperor Alexander I, who disregarded his memorandum on secret societies and the organisation of secret police (1821). Appointed Division Commander in 1821. From 10 November 1824 to 14 March 1825 served as acting Military Governor of Vasilievsky Island, was in charge of the recovery and rebuilding of this district after a devastating flood on 7 November 1824. Exerted himself in suppressing the insurrection on the Senate Square 14 December 1825, member of the Investigation Commission on the case of Decembrists, from then onwards enjoyed confidence and favour of Emperor Nicholas I. In June 1826 was appointed Gendarme Chief, initiator of establishment and Chief of the Third Section of His Imperial Majesty's Own Chancellery (secret police), from December 1826, senator, and from 1831, member of the State Assembly and the Cabinet of Ministers. Despite the common misconception, Benckendorff took little interest in the activities of secret police, leaving it to his subordinates. In 1839 was elected honorary member and trustee of Demidov's Charity House for Workers. From 1841, chairman of the Committee of the Prison Welfare Society. From 1842, chairman of the Building Commission for Construction of the St. Petersburg - Moscow Railroad. In 1831-44, patron of St. Catherine's Lutheran Community in St. Petersburg. One of the founders, and, from 1835, chairman of the board of the Second Russian Fire Insurance Society and Life Insurance Society. In St. Petersburg resided in the house of Baron Chabeaut on Fontanka River Embankment, later in a state apartment in the house of Gendarme Chief (10 Panteleymonovskaya Street). He left behind him his personal papers (some of which have been published). Work: Benckendorff's notes: 1812 Patriotic War. 1813 Liberation of the Netherlands. Moscow, 2001. References: Олейников Д. И. Александр Христофорович Бенкендорф // Российские консерваторы. М., 1997. С. 63-94. D. N. Shilov.
| | | hidden Glinka M.I., (1804-1857), composer | GLINKA Mikhail Ivanovich (1804-1857), composer. Lived in St. Petersburg from 1817; in 1818-22, studied at the Noble Boarding School of the Main Pedagogical Institute (164 Fontanka River Embankment). Glinka's tutor was W.K. Kuchelbecker ... | | GLINKA Mikhail Ivanovich (1804-1857), composer. Lived in St. Petersburg from 1817; in 1818-22, studied at the Noble Boarding School of the Main Pedagogical Institute (164 Fontanka River Embankment). Glinka's tutor was W.K. Kuchelbecker. He studied piano under J. Field and K. Mayer, and violin under the first violinist of F. Behm's Court Orchestra. In 1824-28, he served in the Chancellory of the Council of the Main Department for Transport Communication (9 Moskovsky Avenue). Visited the Bolshoy Theatre, attended concerts by P.I. Yushkov's orchestra, and the salons of F.P. Lvov and A.F. Lvov (4/7 Pochtamtskaya Street), E.K. Sivers (10 Pochtamtskaya Street), V.F. Odoevsky, the Vielgorskys, A.A. Delwig, and becoming acquainted with V.A. Zhukovsky, Alexander Pushkin and A. Mickiewicz. Began composing music, playing and singing his compositions any time he was given the opportunity, and published small plays and romances. In 1830-34, he toured across Europe. In 1834-44, with breaks, he again lived in St. Petersburg. He took advantage of his reputation as the first ethnic Russian musician, and went on to compose and stage classical operas: A Life for the Tsar (to E.F. Rosen's libretto, premiered on 27 November 1836, the birthday of Emperor Nicholas I at the solemn reopening of the Bolshoy Theatre after reconstruction due to fire) and Ruslan and Ludmila (V.F. Shirkov's libretto, premiered on 27 November 1842, also at the Bolshoy Theater). In 1837-39, he served as Kapellmeister of the Court Capella. It was in that period he came together with A.S. Dargomyzhsky, entered Zhukovsky's circle, gave performances at court and, having married, held his own musical evenings. In the late 1830s, he became friends with the Kukolnik brothers, wrote music to N. V. Kukolnik's tragedy Prince Kholmsky (1841), his romance Doubt, and a vocal cycle called Farewell to St. Petersburg to his poem. Composed sacred music, drafted "motif du chant national" (in 1992-2001 it became Russian Federation's national anthem), and dedicated a romance to Pushkin's verse I Remember the Wonderful Moment (1840) to the daughter of A.P. Kern, Ekaterina. In 1844, he left Russia, visiting St. Petersburg in 1848-49, 1851-52 and 1854-56. In 1850, at a charity concert at the Noble Assembly for the Poor Aid Society, Glinka's symphonic compositions - Recuerdos de Castilla (which later became A Night in Madrid), Jota Aragonesa and Kamarinskaya - were performed for the first time in the composer's absence. In 1851, Glinka acquired fame as the first Russian symphonic composer. During his last Petersburg period, Glinka's circle of friends underwent some changes. V.P. Engelgardt, to whom Glinka presented all his manuscripts, became his close friend; Glinka also became friends with D.V. Stasov and V.V. Stasov, with A.N. Serov, and frequented O.I. Senkovsky's residence. In the winter of 1854/55, he finished his Notes. His final large musical composition written in St. Petersburg was the third orchestral version of Waltz-Fantasy, which was performed for the first time at D. M. Leonova's concert given at the Alexandrinsky theatre in the spring of 1856. Glinka is the first Russian classic composer, and is considered the creator of the national Russian opera and Russian symphonic music. Odoevsky and Serov, the best of Glinka's critics, wrote many articles about his music and artistic credo during Glinka's lifetime. In the 1930s, the opera A Life for the Tsar, based on the Romanovs' family myth about the miraculous escape of Tsar Mikhail Fedorovich, was rewritten as a people's tragedy (new text written by S.M. Gorodetsky) and from 1939 to the beginning of the 1990s it was performed under the name Ivan Susanin. Glinka rented a new flat almost every year. The majority of the buildings where he lived have not been preserved. In 1828-29 and in 1851-52, he rented a flat at the corner of Nevsky Prospect and Vladimirsky Avenue (2/49); in 1836-37 and in 1840-41 at the corner of Fonarny Lane and Glukhoy Lane (today Pirogova Street; building 8/3; memorial plaque installed); in 1837-39 he lived in the flat of the Capella (20 Moika River Embankment); and in 1841-1842 lived at 16 Bolshaya Meschanskaya (today Kazanskaya) Street. In 1848-49 he stayed with his son-in-law V.I. Fleri, director of School for the Deaf and Mute at the corner of Gorokhovaya Street and Moika River Embankment (54/18); in 1854-56 he lived on Ertelev Lane (today 7 Chekhova Street; memorial plaque installed). Originally buried in Berlin, his remains were moved in 1857 to the Tikhvinskoe Cemetery of the Alexander Nevsky Lavra (today the Necropolis of Artists ). On 8 March 1857, the Philharmonic Society organized a memorial concert to Glinka at the Noble Assembly. The State Academic Capella, the Small Hall of the Philharmonic (with a monument on the staircase) and a street close to the Mariinsky Theatre have been named after Glinka. In 1906, a monument to Glinka was opened on Teatralnaya Square near the Conservatory (sculptor R.R. Bach, architect A. R. Bach); a bronze bust (sculptor V.P. Pashchenko, architect A.S. Lytkin) was mounted in 1899 in the Alexandrovsky Garden. The All-Russian (previously All-Union) Glinka Vocal Competition has been held since 1960. Works: Literary Heritage: in two volumes. Leningrad; Moscow, 1952-1953. References: Глинка в воспоминаниях современников. М., 1955; Орлова А. А. Глинка в Петербурге. Л., 1970. A. L. Porfiryeva.
| | | hidden Nicholas I, Emperor (1796-1855) | NICHOLAS I (1796, Tsarskoe Selo - 1855, St. Petersburg), Emperor (from 1825). Emperor Pavel I and Empress Maria Fedorovna's third son. Married the Princess of Prussia (1817), who took the name of Alexandra Fedorovna ... | | NICHOLAS I (1796, Tsarskoe Selo - 1855, St. Petersburg), Emperor (from 1825). Emperor Pavel I and Empress Maria Fedorovna's third son. Married the Princess of Prussia (1817), who took the name of Alexandra Fedorovna. From 1796, he was Lieutenant General, and from 1817, Inspector General of Engineering. He commanded a guard brigade, and then, from 3 March 1825, commanded the second Guard Infantry Division. In 1823, he was named Crown Prince in declaration by Alexander I, who died before it was made public. After Alexander I's death, Nicholas I could not proclaim himself Emperor immediately on account of the ambiguity surrounding the interregnum. Members of secret societies used the opportunity to attempt an armed uprising on the day of Nicholas I's enthronement (see the Decembrists' Rebellion, 14 December, 1825), which was suppressed. Nicholas I personally commanded the army summoned against the insurgents, and later supervised the investigation and sentencing of the Decembrists. He took interest in engineering and architecture, ratifying plans for the city's development, fortresses, individual buildings, including those of St. Petersburg, and often adjusted them personally. St. Isaac's Cathedral in St. Petersburg was completed during Nicholas I's reign, and the city was beautified by many large-scale buildings and structures. Within Russia, Nicholas I reinforced central state control, suppressed even the mildest uprising or oppositional attitude, and militarised all aspects of state life, creating a Secret Political Police (see the Third Section) and the Gendarmerie. Some of Nicholas I closest associates were Grand Prince Mikhail Pavlovich, the Emperor's brother, Count A.Kh. Benckendorff, Prince A.F. Orlov, Count M.M. Speransky, Count P.D. Kiselev, Count P.A. Kleinmichel. Before taking the crown he lived at Anichkov Palace, presented to him by Emperor Alexander I in 1817, and to which he returned after the fire at the Winter Palace in 1837. During summertime, he lived in the Alexandrovsky Palace at Tsarskoe Selo. He ordered the Alexandria Palace and Park, named after his wife, to be created on the territory of the former Menagerie (Peterhof), which was presented to him. After taking the crown, he lived at the Winter Palace. He also owned Gatchina. He was buried at the SS. Peter&Paul Cathedral. A monument to Nicholas I erected on St. Isaac's Square in 1859. References: Шеманский А. В., Гейченко С. С. Кризис самодержавия: Петергофский Коттедж Николая I. 4-е изд. М.; Л., 1932; Мироненко С. В. Николай I // Романовы: Ист. портреты. М., 1997. Кн. 2. С. 331-403; Выскочков Л.В. Николай I. М., 2003. Y. A. Kuzmin.
| | | hidden The Arsenal (Monbijou) (an ensemble of the Alexander Park). | The pavilion Arsenal (Monbijou) is located in the Alexander Park of the town of Pushkin. During 1747-1750 in the center of the Menagerie architects S.I. Chevakinsky and F.-B ... | | The pavilion Arsenal (Monbijou) is located in the Alexander Park of the town of Pushkin. During 1747-1750 in the center of the Menagerie architects S.I. Chevakinsky and F.-B. Rastrelli built the hunting-lodge Monbijou (monbijou means my treasure), one of the best park pavilions in the Elizabethian baroque style. It was one of a pair for the Hermitage and had luxuriously decorated facades and interiors. The Arsenal was towered over eight-corner ground, located on the same axis as the Hermitage, and surrounded with a canal too. Diagonal clearings were cut from the Monbijow to corner bulwarks of the fence of Menagerie. The Empress received Ambassadors of France and Austria in the pavilion Monbijow, that was richly decorated with pictures of hunting plot. The hunting pleasure-lodge Monbijow got dilapidated after a time. During 1817-1834 it was rebuilt by architects A. Menelaws and K. Thorn. The central two-storeyed volume of the Monbijow was done the base of the new composite design. It is considered that architectural motifs of the castle Shrubs-Hill, a Gothic style castle in England which was known according to etchings, were used for decorating facades. The building was transformed into a museum after rebuilding. Emperor Nicholas I ordered to place a magnificent collection of arms, armours, eastern saddle-clothes and he ordered to name the pavilion with the new name as Arsenal. Later the collections of the pavilion Arsenal were transferred to the Imperial Hermitage and other museums. Models of Russian mounted regiments uniforms were placed in the pavilion. Besides collections of glass and porcelain objects of the Imperial porcelain Works were exhibited there. The pavilion Arsenal (Monbijow) was partly destroyed during WWII and it has not been restored yet. Persons Chevakinsky Savva Ivanovich Menelas Adam Adamovich Nicholas I, Emperor Rastrelli Francesco de Thorn, Aleksandr Andreyevich Addresses Pushkin, town
| | | hidden The Elephant Pavilion (an ensemble of the Alexander Park) | The wooden pavilion Elephants with small Indian style towers and service rooms and sheds, surrounded the yard, was built by the architeсt Menelaws in 1828. Appartments of the park wardens and elephant supervisor were placed in this pavilion ... | The wooden pavilion Elephants with small Indian style towers and service rooms and sheds, surrounded the yard, was built by the architeсt Menelaws in 1828. Appartments of the park wardens and elephant supervisor were placed in this pavilion. This year elephants belonged to Emperor Nicholas I, which were placed in the Volynkin Yard before, were transported to the Elephants pavilion. One more elephant, delivered by three Afghans, was brought here in some years. One more elephant , which had been being here since 1849, was presented to the Emperor by the Emir of Bukhara. Then were brought another elephants. At last the elephant, that was brought by the Heir and Tsesarevich Nicholas Alexandrovich from a round-the-world journey, was delivered into Tsarskoye Selo in July 1891. It was kind and good-natured to its guide, a Tatar, who willingly showed the elephant to visitors. In summer the elephant was walked in the park and every day it was bathed in the Great Llama Pond. Now only the second name the Krasnoye Selo Gate , the Elephant Gate, remembers about elephants and the pavilion. Persons Menelas Adam Adamovich Nicholas I, Emperor Nicholas II, Emperor
| | | hidden The Kuzminsky (Egyptian) Gate. | The Kuzminsky Gate (it is the historical name) is the bright incarnation of the Egyptian theme. It has caused the rename of the Kuzminsky Gate in the second half of the 20th century ... | | The Kuzminsky Gate (it is the historical name) is the bright incarnation of the Egyptian theme. It has caused the rename of the Kuzminsky Gate in the second half of the 20th century. The Ancient Egyptian plots sculpture decorations of the cast iron coating of facades are harmonized with the pyramidal form of the three-storied stone pylons – guardhouses. In the facades ornamental design there are Egyptian hieroglyphs, genre scenes of the Ancient Egyptian life, motifs of a lotus flower and stalk, snake, scarabs, sphinxes, herms that are typical to the Egyptian art. According to the design of A.A. Menelaws of 1826 the gate was supposed to install in the Alexander Park at the gateway to Tsarskoye Selo Boulevard. On Nicholas I’s order “out of respect for Kuzminsky Road is a great way” in 1827 the gate was begun to build at the entry into the town. The artist Vasily Dodonov drew hieroglyphs, their plaster models were made by the sculptor V.I. Demut-Malinovsky. The coating was produced at the Saint Petersburg Alexander Iron Foundry. In the 1830s the Kuzminsky Gate became the zero reference point of versts ( 1 verst = 3500 ft. ) on the way from Tsarskoye Selo to Saint Petersburg. Persons Dadonov, Vasily Demut-Malinovsky Vasily Ivanovich Menelas Adam Adamovich Nicholas I, Emperor Addresses Oktyabrsky Boulevard/Pushkin, town Pushkin, town
| | | hidden The Moscow Gate (Pushkin Town) | The Moscow Gate, representing two stone guardhouses with gate folds between them, was constructed in 1830-1831. Facades of the guardhouses was decorated in the Empire style. Ya. V ... | | The Moscow Gate, representing two stone guardhouses with gate folds between them, was constructed in 1830-1831. Facades of the guardhouses was decorated in the Empire style. Ya. V. Zakharzhevsky, a Governor of Tsarskoye Selo, himself received the project, approved by the Emperor on 14 December 1829, from the Emperor. Nicholas I with his own hand marked off by the pencil the place of the gate location on the plan in Sophia Boulevard, at the beginning of Moscow Road. The estimate for building work was calculated by the architect V.M. Gornostayev. The cast iron gate folds, cast on V.A. Glinka’s drawing and installed in 1831, were decorated with imperial eagles with crowns. Figures of eagles and crowns were annihilated after 1917. Persons Glinka Vasily Alexeevich Gornostaev Vasily Maximovich Nicholas I, Emperor Zakharzhevsky, Ya.V. Addresses Sofiisky Boulevard/Pushkin, town
| | | hidden The Nicholas Man Gymnasium. The memorial plaque to I.F. Annensky. | A part of the area of the closed Wall-paper Factory with a stone barrack for workers, belonged to the Banknote Factory since 1780, was given for building a public almshouse according to the Emperor’s order in 1859 ... | | A part of the area of the closed Wall-paper Factory with a stone barrack for workers, belonged to the Banknote Factory since 1780, was given for building a public almshouse according to the Emperor’s order in 1859. The project of converting the barrack into the almshouse with a domestic church was developed by I.A. Monighetti. The construction was directed by A.F. Vidov in 1863-1865, but then building was stopped in connection with the money problems. In 1869 according to the Emperor’s order the building was allowed to rebuilt as a man gymnasium. The gymnasium was named after Emperor Nicholas Pavlovich and in the memory of dead Tsesarevich Nicholas Alexandrovich, the inscription on the memorial plaque placed on the façade informed about it. The solemn ceremony of the opening of the Gymnasium took place in the presence of Alexander II and august persons on 8 September 1870 in the Town Council hall. The Gymnasium became famous for its teachers and pupils, among which there was the poet I.F. Annensky who headed the gymnasium and lived here since 1896 until 1905. N.N. Gumilyev, V.A. Komarovsky, V.A. Rozhdestvensky, N.N. Punin and many others were among pupils of the gymnasium. Persons Alexander II, Emperor Annensky Innokenty Fedorovich Gumilyov, N.N. Komarovsky, Vasily Alekseyevich, count Monighetti Ippolito Antonovich Nicholas I, Emperor Punin Nikolay Nikolaevich Rozhdestvensky Vsevolod Alexandrovich Vidov Alexander Fomich Addresses Naberezhnaya Street/Pushkin, town, house 12
| | | hidden The Palace Church of the Resurrection | In the Tsarskoye Selo Palace of Tsarina Catherine Alexeyevna at first there was an camp private chapel of St. Catherine the Great Martyr. The main sight of this church was a carved iconostasis of dark blue colour ... | | In the Tsarskoye Selo Palace of Tsarina Catherine Alexeyevna at first there was an camp private chapel of St. Catherine the Great Martyr. The main sight of this church was a carved iconostasis of dark blue colour. Building the palace church, being now, was begun in spring of 1746 to the design and under direction of S.I. Chevakinsky. The ceremonial laying of the Church of the Resurrection, performed by the Eminent Theodosius, Archbishop of Saint Petersburg and Schlusselburg, was been on 8 August of the same year in the presence of Empress Elisabeth, Heir Tsesarevich Pyetr Fiodorivich and his wife Catherine Alexeyevna. During bulding Elisabeth Petrovna ordered to remake a piece of done work and continue building under the direction of the chief-architect F.-B. Rastrelli. Court painters G.-K. Grot, L. Karavak, B. Tarsia, I.Ya. Vishnyakov, A. Perezinotti were recruited to painting icons. In total in the church there were 114 icons, 59 of them were painted and 14 were corrected by famous icon-painter Fedot Kolokolnikov and Mina Kolokolnikov. The painting plafond with the image of the Ascension of Our Lord was painted by the painter G. Valeriani with assistants. Carving work was made by I.F. Dunker. The decoration of the interior was completed and Eminent Sylvester, Archbishop of Saint Petersburg and Schlusselburg, consecrated the Church of the Resurrection of Our Lord on 30 July in 1756 . Religious services in the Palace Church of the Resurrection were performed by the court clergy during staying the Imperial court in Tsarskoye Selo. The Imperial retinue, ministers, diplomats, courtiers, officers of Life Guards regiments are present at the services. On Sundays and holidays the pupil of the Lyceum could be seen near Alexander I during liturgies. The historian Karamzin with his family visited the church. Weddings of the Imperial family members and courtiers, christening of the Imperial family babies, who were born in Tsarskoye Selo, took place in the church. The future emperors Nicholas I and Nicholas II were among them. The church parish included the palace officials, lived in Tsarskoye Selo permanently. In 1917 public religious services were stopped and the church interior was included in the museum exposition. The church interior had magnificent forms in the Baroque style. It was not subjected to considerable changes although the building experienced fires in 1820 and 1863. After the first fire the artist V.K. Shebuyev restored the lost in fire plafond, the church domes were restored to the design of the architect V.P. Stasov, their silhouettes were changed. The restoration of the original view of domes in the Baroque style were made by the architect A.F. Vidov after the second fire. During World War II the church inside decoration was plundered and got considerable damages, 97 icons were robbed, only some fragments were survived. After war restored repair of facades was made during 1957-1963 to the design of the architect A.A. Kedrinsky . But the church interior of the Palace Church has not been restored yet. Persons Alexander I, Emperor Catherine II, Empress Chevakinsky Savva Ivanovich Dunker Johann Franz Elizaveta Petrovna, Empress Grot, G.-K. Karamzin Nikolay Mikhailovich Kedrinsky Alexander Alexandrovich Kvasov Andrey Vasilievich Nicholas I, Emperor Nicholas II, Emperor Peter III, Emperor Rastrelli Francesco de Stasov Vasily Petrovich Tarsia, B. Valeriani Giuseppe Vidov Alexander Fomich
| | | hidden The Pensioners’ Stables (an ensemble of the Alexander Park) | A path of the Alexander Park to ponds on the Kuzminka River has led to the Pensioners’ Stables, a Gothic park building hidden in trees thicket. The pavilion was built by Menelaws in 1827-1829 and intended for eight horses which were used by the ... | | A path of the Alexander Park to ponds on the Kuzminka River has led to the Pensioners’ Stables, a Gothic park building hidden in trees thicket. The pavilion was built by Menelaws in 1827-1829 and intended for eight horses which were used by the Tsar, horses were placed in this pavilion after the death of Alexander I. Later the pavilion was used for other emperors’ favourite horses. A picturesque space design, similar other constructions of the architect in the Alexander Park, was harmoniously connected with the nature surrounding. On the opposite corner from the path a round tower towered above one – two – story stone U-shaped pavilion. The high pyramidal roof and frieze decorated with lancet arches do the tower expressive. Plaster detailed of the cornices, string-courses and surrounds with bracket-shaped canopies stand out against a background of the brickwork. In the tower ground floor there was a stable with eight horseboxes and a semicircular room where horses’ rich attires were saved. Afterward these items increased collections of the Stable Museum in Saint Petersburg. In the first floor there were apartments for a supervisor and stablemen. In summer old horses were let to graze in the park. Rows of marble gravestones in the park, located opposite the tower, showed burial grounds of the horses. Signs on gravestones told that the horse “L’ami”, who had been in the Paris campaign with Alexander I, had been buried here, and the horse “Flora”, who had been with Nicholas I near Varna, had been buried here, and the horse “Kob”, who was used by Tsar-Peace-Maker Alexander III for greeted troops, had been buried here also. Persons Alexander I, Emperor Alexander III, Emperor Menelas Adam Adamovich Nicholas I, Emperor
| | | hidden The Tirkish Bath pavilion (an ensemble of the Catherine Park) | The East architecture touches and the name of the Turkish Bath pavilion, occupying the foreground in the Great Pond panorama, remember about the Adrianople Peace treaty with Turkey in 1829 ... | | The East architecture touches and the name of the Turkish Bath pavilion, occupying the foreground in the Great Pond panorama, remember about the Adrianople Peace treaty with Turkey in 1829. The pavilion was erected on the order of Emperor Nicholas I in 1850-1852 according to the design of I. Monighetti. 37.838 Rubles were required on the architect’s estimate for building according to the imperial ordered design. But the Emperor allocated only 30.000 Rubles for building and he ordered to Monighetti to “dodge”. Monighetti fulfilled the Imperial command, he gave the work order , for the specified sum, to the Italian architect Kamutstsi. The pavilion never used as a bath, it was a typical park pavilion for resting. The pavilion suitably completed Catherine’s tradition of constructing monuments of the battle glory in the Catherine Park. A peaked small tower with a crescent, remembered minaret, the main dome, the entrance like a niche-mihrab make the pavilion looking like a mosque. The dome was decorated with relief planer pattern, made of gilded copper, framing the round many-coloured windows. Inside there are many-coloured encrustations made of natural and artificial marble, stalactite pattern, bright marble mosaic with an eastern pattern, a marble basin of the fountain in the center of the hall, carved Olonets marble attracting the attention. The original details of the marble decoration of a Turkish sultaness bath, brought to the Emperor from Adrianople as trophies, were used in decorating the interior. Marble plaques with Turkish ligature signs, murmurous “fountains of tears” , placed on walls, bring Turkish motifs into the Mauritanian style of the decoration. Persons Monighetti Ippolito Antonovich Nicholas I, Emperor
| | | hidden The Tsarskoye Selo Palace Hospital | The Tsarskoye Selo Palace Hospital included two charity establishments: a hospital and alms-house, both supported for the money of the Palace Board since the time of Catherine I ... | | The Tsarskoye Selo Palace Hospital included two charity establishments: a hospital and alms-house, both supported for the money of the Palace Board since the time of Catherine I. The hospital was placed in this place, originally located near Torgovaya (Trade) Square at the entry into Tsarskoye Selo from Moscow Road, according to the order of Alexander I of 23 October 1808. One-storied wooden building of the hospital with the Church of the Consolation of all the Afficted, alms-houses, chemist's shops, gardens for men and women departments, the fence around the hospital complex were built during 1809-1817 to the design of the architect V.I. Geste. On 21 July 1844 Nicholas I approved the design of new stone buildings for the hospital instead of outmoded wooden ones, that was developed by the architect D.Ye. Yefimov. The construction works were being done from 1844 until 1852 under the direction of the architect N.S. Nikitin. Hospital buildings have survived until present time. The main building of the hospital and detached buildings of the alms-house, chemist’s house, dwelling house for hospital workers, wash-house, chapel were surrounded with a fence and garden laid out on the base of the old hospital gardens by the gardener V. Miller. The consecration of the hospital church in the name of the icon of the Mother of God “Consolation of All Who Sorrow” took place on 28 September 1852. The court surgeon F.F. Zhukovsko-Volynsky 1804-1879) worked as the head physician of the hospital. Considerable works on modernization and re-equipment of the hospital were done from the late 19th century to the early 20th century to the designs of A.F. Vidov, A.R. Bach, S.A. Danini with the participation of doctors A.F. Gaaze, Ye.S. Botkin. The female-surgeon Princess V.I. Gedroits worked here according to the will of Empress Alexandra Fiodorovna. An outpatients department and admission room were built to the main building in 1908-1914 to the design of architect Danini. The hospital church of the Consolation of all the Afficted was enlarged, the cave-temple of Sts. Constantine and Helen, Equal-to-the-Apostles with separate entrance was placed in the new annex. In 1911-1913 Danini built a pavilion for infectious patients. In this pavilion during World War I there was a department for officers for thirty bunks of the Own Hospital No. 3 which was established for wounded men for personal savings of the empress. The Own hospital department for lower ranks for 200 people occupied the upper floor in the main building of the hospital. Sisters Romanov worked at this hospital until the arrest in February 1917. Empress Alexandra Fiodorovna was a scrub nurse, she assisted to the surgeon V.I. Gedroits and herself did bandaging. Her elder daughters Grand Duchesses Olga Nikolayevna and Tatiana Nikolayevna worked side by side of the mother. Now the N.A. Semashko Town Hospital No. 38 of the Health Protection Committee of Saint Petersburg is placed here. Persons Alexander I, Emperor Alexandra Fedorovna, Empress Bach Alexander Romanovich Catherine I, Empress Danini Silvio Amvrosievich Efimov Dmitry Egorovich Gedroits, Vera Ignatyevna, princess Hastie Vasily Ivanovich (William) Nicholas I, Emperor Nikitin, N.S. Olga Nikolaevna, Grand Princess Tatyana Nikolaevna, Grand Princess Vidov Alexander Fomich Zhukovsko-Volynsky, F.F. Addresses Gospitalnaya Street/Pushkin, town, house 7
| | | hidden The White Tower (an ensemble of the Alexander Park). | The pavilion White Tower of 38-metre-high, the highest construction in Tsarskoye Selo, was built by the architect A. Menelaws on the place of the Menagerie lusthouse in 1821-1827. The ensemble was designed as a Middle-Age knight castle-fortress ... | | The pavilion White Tower of 38-metre-high, the highest construction in Tsarskoye Selo, was built by the architect A. Menelaws on the place of the Menagerie lusthouse in 1821-1827. The ensemble was designed as a Middle-Age knight castle-fortress. It includes some constructions: the Gate-Ruin with guardhouses, decorative Ruin Bridge, East bulwark of the Menagerie. The White Tower is placed on the bastion ground. The tower walls were plastered and painted in white color so it got the name white tower. The tower-castle is placed inside of spacious bastion ground, earlier it was surrounded with flowerbeds. The five-storeyed building of square section was divided in three tiers run up with ledges decorated with forged grilles. Sculpture lions are placed in the corners of the terrace which is the foot of the tower. Eight statues of Middle-Aged and Old-Russian knights, made of cast iron, were placed in niches in tower walls. An interior winding stairs led to the roof of the upper tier surrounded with the parapet. Here there was an inspection ground from which could be admired with views of parks, Tsarskoye Selo and its environs, even Saint Petersburg was seen. Photographs of Tsarskoye Selo for postcards, which were widely distributed in the early 20th century, were shot from this ground. The White Tower was almost completely destroyed during the war and restored according to the design of the architect A.A. Kedrinsky. The restoration was doing during almost twenty years and has not been finished yet. The Ruin-Gate with guardhouses built in the Gothic style forms the entrance into the White Tower. The Ruin-Gate looks like ruins of fortress constructions, it is monumental and imitates castle entrance with the falling herse. A moulding with the heraldic coat of arms was placed over the arch. An earth bank was located in front of the gate in side as if it protects the entrance to the White Tower from the Farm road. According to the star-form of the layout the bank looks like a kronverk, an auxiliary defence construction in front of a fortress. A ditch joined with a small pond surrounded the bank. Sons of Emperor Nicholas Pavlovich were visual taught fortification on building the earth fortification. Later a high mast with rope-ladders was set inside of the “star”; a trampoline was spread around the mast. In summer when the park was opened for public, many children gathered here. Persons Kedrinsky Alexander Alexandrovich Menelas Adam Adamovich Nicholas I, Emperor
| | | hidden Ton K. A., (1794-1881), architect | TON Konstantin Andreevich (1794 - 1881, St. Petersburg), architect, originator of the Russo-Byzantine style, associate academy member of the Academy of Fine Arts (1830) ... | | TON Konstantin Andreevich (1794 - 1881, St. Petersburg), architect, originator of the Russo-Byzantine style, associate academy member of the Academy of Fine Arts (1830). Upon graduation from the Academy of Fine Arts (1815) worked for the Urban Planning Committee of St. Petersburg. In 1819-28, as a retainer of the Academy of Arts travelled to Italy and France, upon returning worked as an architect at the Academy of Fine Arts, from 1831 was conferred the title of professor, in 1854-71 appointed rector of the Academy of Fine Arts on architecture, in 1861, court architect. In 1830-37, built St. Catherine's Church in the vicinity of the Kalinkin Bridge (not preserved), being the first example of the Russo-Byzantine style, subsequently acquiring official status. From which point he enjoyed the permanent favour of Emperor Nicholas I, who commissioned Ton for the construction of regimental churches in St. Petersburg and its suburbs. Following Ton's projects the Presentation of the Holy Virgin Church of the Semenovsky Life Guards Regiment (1834-42), St. Catherine's Cathedral in Tsarskoe Selo (1835-40), SS. Peter and Paul Church of the Uhlan Life Guards Regiment in Peterhof (1836-39), Holy Transfiguration All Guards Church of the Grenadier Life Guards Regiment (1839-45), Holy Annunciation Church of the Cavalry Life Guards Regiment (1842-49), St. Miron's Church of the Chasseur Life Guards Regiment (1849-55) were erected (almost all of them demolished in the 1930s). Ton's church constructions were distinctive due to their stylistic uniformity, while yet maintaining a variety of compositional techniques, and richness of interior decoration. Ton was also the designer of the pier with Sphinxes on Bolshaya Neva by the Academy of Fine Arts building (1833-34), the silver icon-wall of Kazan Cathedral (1834-38, has not survived), St. Petersburg's railway terminals: Nikolaevsky (presently Moskovsky; memorial plaque) and Tsarskoselsky (presently Vitebsky). Ton was actively involved in architectural activities in Moscow and provincial towns, his sample church architectural drawings were widely used all over in Russia. During his last years Ton lived in the house of his own (now 122-124 Griboedov Canal Embankment). Buried at Volkovskoe Orthodox Cemetery. Reference: Славина Т. А. Константин Тон. Л., 1989; Лисовский В. Г. Константин Тон // Зодчие Санкт-Петербурга, XIX - начало XX века. СПб., 1998. С. 269-282. S. V. Boglachev.
| | | hidden | 6 July. Ceremony of the baptism of Grand Duke Nicholas Pavlovich, the future Emperor Nicholas I, took place in the Palace Church of the Resurrection of Christ. 12 June ... | | 6 July. Ceremony of the baptism of Grand Duke Nicholas Pavlovich, the future Emperor Nicholas I, took place in the Palace Church of the Resurrection of Christ. 12 June. Grand Duke Alexander Pavlovich and his wife moved into the Alexander Palace which was reconstructed. 6 November. Empress Catherine II died and her 42 -year- old son ascended the throne as Paul I. Persons Alexander I, Emperor Catherine II, Empress Nicholas I, Emperor Paul (Pavel) I, Emperor
| | | hidden | 18 August. Emperor Alexander I signed the Manifesto about the succession to the throne by Grand Duke Nikolai Pavlovich and ordered to keep this Manifesto secret in the Uspensky Cathedral of the Moscow Kremlin for the "poste restante" ... | 18 August. Emperor Alexander I signed the Manifesto about the succession to the throne by Grand Duke Nikolai Pavlovich and ordered to keep this Manifesto secret in the Uspensky Cathedral of the Moscow Kremlin for the "poste restante". Persons Alexander I, Emperor Nicholas I, Emperor
| | | hidden | The construction of the Egyptian Gates (architect A.Menelaws) and the Moscow Gates designed by V.M. Gornostayev, V.A. Glinka and A.P. Gildenbrandt was finished ... | | | | | hidden | Mikhail Yuryevich Lermontov had arrived in Tsarskoye Selo for the service in the Life-Guard His Emperor Majesty Hussar Regiment. The Emperor Convoy moved in Tsarskoye Selo for the permanent service according to the order of Emperor ... | | Mikhail Yuryevich Lermontov had arrived in Tsarskoye Selo for the service in the Life-Guard His Emperor Majesty Hussar Regiment. The Emperor Convoy moved in Tsarskoye Selo for the permanent service according to the order of Emperor Nicholas I. Persons Lermontov Mikhail Yurievich Nicholas I, Emperor
| | | hidden | The Heir Alexander Nikolayevich married Princess Marie of Hesse-Darmstadt and then newly married couple moved to Tsarskoe Selo and settled in Zubov's Wing of the Tsarskoye Selo Palace which became their the favorite permanent residence ... | | The Heir Alexander Nikolayevich married Princess Marie of Hesse-Darmstadt and then newly married couple moved to Tsarskoe Selo and settled in Zubov's Wing of the Tsarskoye Selo Palace which became their the favorite permanent residence. Racecource was opened in Tsarskoye Selo, near the road to Kolpino, beyond the railway, that was the beginning of the annual horse race lasted until the late 19th cent. 24 November (7 December NS). The ceremonial consecration of the Cathedral of St. Catherine in the presence of Emperor Nicholas I and Tsesarevich Alexander Nikolayevich took place. Persons Alexander II, Emperor Maria Alexandrovna, Empress Nicholas I, Emperor
| | | hidden | 23 May. The famous event "Merry -Go-Round at Tsarskoye Serlo" was arranged with almost all members of the family of Emperor Nicholas I, in medieval costumes, with real medieval armour ... | | 23 May. The famous event "Merry -Go-Round at Tsarskoye Serlo" was arranged with almost all members of the family of Emperor Nicholas I, in medieval costumes, with real medieval armour. In 1843 the portrait of the Imperial Family at Merry-Go-Round at Tsarskoye Selo was painted by Horace Vernet. The last 12th graduates took place in the Lyceum, after that the Tsarskoye Selo Lyceum was closed down. 6 November 1843. The Lyceum, which was renamed the Alexander Emperor Lyceum, moved into Peresburg at Kammenoostrovsky Prospekt. Persons Berne, Karl (Antoine Charles Oras) Nicholas I, Emperor
| | | hidden | Architect I.A. Monighetti constructed the Turkish Bath pavilion in the commemoration of the Russian victory in the Russo-Turkish war of 1828-1829. 16 October ... | | Architect I.A. Monighetti constructed the Turkish Bath pavilion in the commemoration of the Russian victory in the Russo-Turkish war of 1828-1829. 16 October. Emperor Nikolai Pavlovich visited the Palace hospital reconstructed from the dilapiadated wooden building into the stone building according to the design by the architect N.S. Nikitin. Persons Monighetti Ippolito Antonovich Nicholas I, Emperor Nikitin, N.S.
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