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hidden Persons of Tsarskoye Selo -
hidden Monuments of history and culture | Chevakinsky Savva Ivanovich hidden Alexandrovsky Park (Pushkin) | ALEXANDROVSKY PARK (Pushkin), a landscape architecture monument, situated west of Ekaterininsky Park. The park is a part of Tsarskoe Selo palace and park ensemble. Alexandrovsky Park covers an area of 120 hectares ... | | ALEXANDROVSKY PARK (Pushkin), a landscape architecture monument, situated west of Ekaterininsky Park. The park is a part of Tsarskoe Selo palace and park ensemble. Alexandrovsky Park covers an area of 120 hectares. Its old regular part (the New Garden) was laid out in the 1750s (allegedly, by architects S.I. Chevakinsky, N. Girard); it is divided by Krestovy Canal into four squares with amusement tricks: scarpir (a round area with slopes), Chinese theatre (1778-79, architects A. Rinaldi, I.V. Neelov); Parnas hill and water maze. Over the canal, Krestovy, Kitaysky, Drakonov and other bridges were erected (built in the 1770s, architect Neelov). The complex of Chinese Village is situated south of the New Garden. The landscape park was established in the 1790s at the same time with the construction of Alexandrovsky Palace on the ground of the Menagerie of the period of Elizaveta Petrovna's reign (the fragments of bastions and canals setting its bounds remained to date). In the landscaped part of Alexandrovsky Park the artificial ponds were made: Detsky Pond (on the island there is a pavilion built for Emperor Nicholas I's children), Nizhny Pond, Vittolovsky Pond, and Lamsky. In the 1820s–30s according to the projects of architect A.A. Menelas, ornamental pavilions were built in various parts of the park. These included the White Tower (1821 - 27; destroyed during the Great Patriotic War, restored in the 1990s); the Arsenal (1819-34; built on the site of Mon bijou pavilion designed by architect S.I. Chevakinsky in 1747-54); Chapelle (Chapel; 1825–28) – neo-Gothic. Opposite the Chapelle, there are classical palace green-houses (1819-28). In the western part of Alexandrovsky Park flows the Kuzminka river, which has been dammed. Beside the river stands Lamsky Pavilion (1882), built for keeping lamas given to Emperor Alexander I (Nicholas II established a dark room here); and Pensionerskie Stables (1827-29), where emperors' horses were kept. North of Alexandrovsky Park, there are Feodorovsky Village, Ratnaya Chamber and other buildings in the neo-Russian style of the beginning of the 20th century. Reference: see Tsarskoe Selo. A. A. Alexeev. Persons Alexander I, Emperor Chevakinsky Savva Ivanovich Elizaveta Petrovna, Empress Girard N. Menelas Adam Adamovich Neelov Ilya Vasilievich Nicholas I, Emperor Nicholas II, Emperor Rinaldi Antonio the Neelovs
| | | hidden Catherine Palace (Town of Pushkin) | CATHERINE PALACE (Town of Pushkin), an architectural monument of the Baroque period, compositional centre and dominating architecture of the park and palace ensemble of Tsarskoe Selo ... | | CATHERINE PALACE (Town of Pushkin), an architectural monument of the Baroque period, compositional centre and dominating architecture of the park and palace ensemble of Tsarskoe Selo. In 1717-1723, on this site a small stone palace of Empress Catherine I (architect I.F. Braunstein) was constructed concurrently with the establishment of the Catherine Park. From 1743, work on the palace extension was started (architect M.G. Zemtsov), after his death work continued under the guidance of architects A.V. Kvasov and S.I. Chevakinsky. From late 1748 - architect F. Rastrelli. In May of 1752, Empress Elizaveta Petrovna ordered everything that had been erected earlier to be reconstructed and in 1756 the Catherine Palace was completed. At this stage it consisted only of the western parade court, framed by single-story semicircular buildings - surrounded with splendid wrought railings with gilded details and gates along the central axis of the palace. The facades are decorated with moulded figures of caryatids, cartouche, masks (sculptor I. F. Dunker), marked with ochre colour against the turquoise background (up to the 1770s, the stucco work was gilded). Originally the front staircase was in the south section of the Catherine Palace, on the second floor were also located the "Golden Enfilade", comprising of five "antechambers", double tiered Grand Hall and a number of sitting rooms, their fretwork above the doors created an impression of a gold stream. Among the interiors is the Amber Room. The length of the Catherine palace's facades is over 325 metres. The central part of the building (The Middle House) has retained the parameters of the palace of Catherine I. The side wings that replaced the original open terrace unite the central part with the wings: to the north there is a church (1779-84, architect I.V. Neelov) and to the south - Zubovsky (1778-1784, architect Y.M. Felten). Under Catherine II, in the 1780s, new interiors were added according to the designs of C. Cameron: the Arabesque and the Lyon sitting rooms, the Silver Study and others in the south part of the Catherine Palace, the rooms of the Grand Prince Pavel Petrovich (the Green dining-room, the Bedchamber and others) in the northern part. To the south-eastern side of the Catherine Palace the complex of the so-called Cameron Gallery, the Cold Bath (Agate Pavilion), the hanging garden and the ramp (1780-87; 1792-94) are united. In 1817-20, and in the 1840s architect V.P. Stasov made some changes in the palace's interiors, in 1860-63 architect I. A. Monighetti (Chinese front staircase in the central part). Since 1918, the Catherine Palace has been a palace-museum, in 1941-44, it was practically levelled, restoration following the project of architect A.A. Kedrinsky was launched in 1957. Restoration works continue up to the present. See also "Tsarskoe Selo" article. A. A. Alexeev. Persons Braunstein Johann Friedrich Cameron Charles Catherine I, Empress Catherine II, Empress Chevakinsky Savva Ivanovich Dunker Johann Franz Elizaveta Petrovna, Empress Felten Yury (Georg Friedrich) Matveevich Kedrinsky Alexander Alexandrovich Kvasov Andrey Vasilievich Monighetti Ippolito Antonovich Neelov Ilya Vasilievich Paul (Pavel) I, Emperor Rastrelli Francesco de Stasov Vasily Petrovich Zemtsov Mikhail Grigorievich
| | | hidden | Four Cavaliers’ houses were built in 1752-1753 to the design of S.I. Chevakinsky according to Empress Elizabeth’s order given in 1748 about building dwelling houses in Sadovaya Street for arriving “cavaliers” ... | | Four Cavaliers’ houses were built in 1752-1753 to the design of S.I. Chevakinsky according to Empress Elizabeth’s order given in 1748 about building dwelling houses in Sadovaya Street for arriving “cavaliers”. Originally all one-storied houses with mezzanines were equal, built in the Baroque style, they were joined with fences from Sadovaya Street and painted in the colour of the same with facades of the Catherine Palace. In 1784 I.V. Neyelov enlarged mezzanines, transformed them in the low second floor. In 1817 small front gardens were laid out in front of houses. The marshal’s house (6 Sadovaya Street) was rebuilt and doubled, in the middle of the 19th century the Tsarskoye Selo superintendent of Palace buildings lived here. The Study house (10 Sadovaya Street) was occupied by the office of the Governor of Tsarskoye Selo, Peterhof and Gatchina over a some period in the early 19th century, in the middle of the 19th century noncommissioned - Masters of the Horse lived here. The field-doctor’s house (12 Sadovaya Street) was used for living the historian N.M. Karamzin in 1817 according to Alexander I’s order. Afterwards a campaign noncommissioned - Master of the Horse lived here. Persons Alexander I, Emperor Chevakinsky Savva Ivanovich Elizaveta Alexeevna, Empress Karamzin Nikolay Mikhailovich Neelov Ilya Vasilievich Addresses Sadovaya Street/Pushkin, town Sadovaya Street/Pushkin, town, house 6 Sadovaya Street/Pushkin, town, house 10 Sadovaya Street/Pushkin, town, house 12
| | | hidden Chevakinsky S. I. (1713-1783), architect | CHEVAKINSKY Savva Ivanovich (1713-1783), architect, representative of the Baroque. From 1729, studied at the Moscow Preparatory School of the St. Petersburg Naval Academy, in 1732-38 apprenticed in architecture with I.K ... | | CHEVAKINSKY Savva Ivanovich (1713-1783), architect, representative of the Baroque. From 1729, studied at the Moscow Preparatory School of the St. Petersburg Naval Academy, in 1732-38 apprenticed in architecture with I.K. Korobov (assisted him in a number of projects). In 1745, he was conferred the title of architect. In 1740-67, was appointed Chief Architect of the Admiralty, devised the general development plan, and after the fire of 1764, he redesigned the plan for Kronstadt, built the St. Nicolas Naval Cathedral and the warehouses of New Holland. Participated in the bid for the construction of the new St. Isaac's Cathedral (1762) and rebuilding of SS. Peter&Paul Cathedral (1766). In 1745-60, supervised the reconstruction of the palace and park ensemble in Tsarskoe Selo, where he also designed two wings of Catherine Palace and Mon Bijou Pavilion (has not survived). He became an architect of the Academy of Fine Arts in 1755-57. Reconstructed Kunstkammer tower. He Also took private commissions. In Baroque style he built Shuvalov Palace (1753-55, 25 Italyanskaya Street), Million House (19 Millionnaya Street, has not survived) and Sheremetev Palace. In 1767, he left St. Petersburg for his mansion. From 1738, lived at the 68 Angliiskaya Embankment (has not survived), afterwards at 58 Galernaya Street, in a house of his own design (1750s). References: Петров А. Н. Савва Чевакинский. Л., 1983; Его же. Савва Чевакинский // Зодчие Санкт-Петербурга, XVIII век. СПб., 1997. С. 291-322. V. V. Antonov.
| | | hidden Karamzin N.M., (1766-1826), historian, writer | KARAMZIN Nikolay Mikhailovich (1766-1826, St. Petersburg), writer, critic, historian, honorary member of the Petersburg Academy of Sciences (1818). He studied in a Moscow Boarding School. In 1782-84 he served with the Guards in St. Petersburg ... | | KARAMZIN Nikolay Mikhailovich (1766-1826, St. Petersburg), writer, critic, historian, honorary member of the Petersburg Academy of Sciences (1818). He studied in a Moscow Boarding School. In 1782-84 he served with the Guards in St. Petersburg. After retiring he travelled in Europe (1789-90), and then lived mainly in Moscow. He was the founder of Russian sentimentalism. He was the author of Letters of a Russian Traveller, stories: Poor Lisa, Natalya the Boyar's Daughter, Marpha the Governor's Wife, etc., verses, essays, critique, translations. He played an important role in the development of Russian standard language, establishment of new trends in Russian literature, had an influence on V.A. Zhukovsky, K.N. Batyushkov, A.S.Pushkin. Karamzin's followers and associated formed a friends literature society, Arzamas, while their adversaries, archaists, headed by A.S. Shishkov - Conversations for Lovers of the Russian Word literature society. In 1803 he was appointed a historiographer by Emperor Alexander I and started working on his main work the History of the Russian State, the publication of which (vol. 1-12, 1816-29) was a milestone in the development of Russian science and self awareness. Karamzin was a firm believer in enlightened monarchy, in the early 1810s he argued against M.M. Spiransky's reforms. In 1816 he moved with his family to Tsarskoe Selo, where he was given one of the houses in Chinese Village. Pushkin visited him there as a lyceum pupil. While staying in St. Petersburg in 1816-18 Karamzin lived in E.F. Muravyeva's House (25 Fontanka River Embankment), he spent summer months in Tsarskoe Selo in the Kavalersky Block at 12 Sadovaya Street (1752-53, architect S.I. Chevakinsky; rebuilt in 1784, architect I.V. Neelov). The last Petersburg residence of Karamzin was Mizhuev's House (26 Fontanka River Embankment). Karamzin was a witness of the Decembrist Uprising on 14 December 1825 at Senatskaya Square. Karamzin criticised its participants and organisers for heedlessness, though he endured their fate as a personal tragedy (many of the conspirators were close acquaintances). On the day of the uprising Karamzin caught a cold, which resulted in a severe illness, the latter being fatal for Karamzin. He was buried at the Necropolis of Artists. References: Эйдельман Н. Я. Последний летописец. М., 1983; Лотман Ю. М. Сотворение Карамзина. М., 1998; Шмидт С. О. Николай Михайлович Карамзин (1766-1826) // Портреты историков: Время и судьбы: В 2 т. М.; Иерусалим, 2000. Т. 1. С. 25-37. N. L. Korsakova.
| | | hidden The Arsenal (Monbijou) (an ensemble of the Alexander Park). | The pavilion Arsenal (Monbijou) is located in the Alexander Park of the town of Pushkin. During 1747-1750 in the center of the Menagerie architects S.I. Chevakinsky and F.-B ... | | The pavilion Arsenal (Monbijou) is located in the Alexander Park of the town of Pushkin. During 1747-1750 in the center of the Menagerie architects S.I. Chevakinsky and F.-B. Rastrelli built the hunting-lodge Monbijou (monbijou means my treasure), one of the best park pavilions in the Elizabethian baroque style. It was one of a pair for the Hermitage and had luxuriously decorated facades and interiors. The Arsenal was towered over eight-corner ground, located on the same axis as the Hermitage, and surrounded with a canal too. Diagonal clearings were cut from the Monbijow to corner bulwarks of the fence of Menagerie. The Empress received Ambassadors of France and Austria in the pavilion Monbijow, that was richly decorated with pictures of hunting plot. The hunting pleasure-lodge Monbijow got dilapidated after a time. During 1817-1834 it was rebuilt by architects A. Menelaws and K. Thorn. The central two-storeyed volume of the Monbijow was done the base of the new composite design. It is considered that architectural motifs of the castle Shrubs-Hill, a Gothic style castle in England which was known according to etchings, were used for decorating facades. The building was transformed into a museum after rebuilding. Emperor Nicholas I ordered to place a magnificent collection of arms, armours, eastern saddle-clothes and he ordered to name the pavilion with the new name as Arsenal. Later the collections of the pavilion Arsenal were transferred to the Imperial Hermitage and other museums. Models of Russian mounted regiments uniforms were placed in the pavilion. Besides collections of glass and porcelain objects of the Imperial porcelain Works were exhibited there. The pavilion Arsenal (Monbijow) was partly destroyed during WWII and it has not been restored yet. Persons Chevakinsky Savva Ivanovich Menelas Adam Adamovich Nicholas I, Emperor Rastrelli Francesco de Thorn, Aleksandr Andreyevich Addresses Pushkin, town
| | | hidden The Big Hothouse with Garden. | The building was constructed in the 1750s to the design of F.-B. Rastrelli in the Baroque style. Constructing was directed by the architect S.I. Chevakinsky. In 1820-1828 V.P. Stasov rebuilt the building in the Classicism style ... | | The building was constructed in the 1750s to the design of F.-B. Rastrelli in the Baroque style. Constructing was directed by the architect S.I. Chevakinsky. In 1820-1828 V.P. Stasov rebuilt the building in the Classicism style. The considerable collection of rare exotic plants from America, Africa, India, Spain, the Middle East - coffee trees, cactuses, orange trees, collections of pineapples and laurels- were collected in the hothouse during the time. The garden master Iogan (John) Bush was one of the first scientist keeper of rare plant. In summer time vats with plants were put out in front of the Catherine Palace and along Sadovaya Street. Traditionally gardeners and other workers lived in the hothouse apartments. At different times I. Bush, Alexander I’s favourite F.F. Lyamin, Ch. Cameron, governors of Tsarskoye Selo Leontyev and Ya.V. Zakharzhevsky lived here. In 1933-1934 the architect V.I. Yakovlev adapted the building for the Institute of Dairy Industry. He used an unrealized project of V.P. Stasov. Persons Bush Iogann Cameron Charles Chevakinsky Savva Ivanovich Leontyev, A.I. Lyamin, F.F. Rastrelli Francesco de Stasov Vasily Petrovich Yakovlev Vsevolod Ivanovich Zakharzhevsky, Ya.V. Addresses Leontievskaya Street/Pushkin, town Oranzhereinaya Street/Pushkin, town Sadovaya Street/Pushkin, town
| | | hidden The Concert Hall on the Island of the Great Pond, a pavilion (an ensemble of the Catherine Park) | The first in Tsarskoye Selo a park entertaining pavilion Lusthaus, in the form of a octagonal balk wooden gallery, was built by the architect I.K. Ferster in 1723 just here, on an artificial island of the Great Pond ... | | The first in Tsarskoye Selo a park entertaining pavilion Lusthaus, in the form of a octagonal balk wooden gallery, was built by the architect I.K. Ferster in 1723 just here, on an artificial island of the Great Pond. On the place of the Lusthaus in 1746-1748 the architect S.I. Chevakinsky built the Hall on the Island, the new rectangular pavilion, with rich Baroque interior and outside decoration which was changed more than once. The architect F.-B. Rastrelli and sculptors D.-B. Djani and G.-F. Partir worked here. Then G. Quarenghi introduced elemets of the Classical style into the pavilion architecture. He worked jointly with painters- decorators F. Danilov and A. della Jakoma. The Hall on the Island was intended for holding concerts and receptions. From the time of Catherine II a wind band sometimes played in here, the Empress liked listening to the music being in the Grotto pavilion. People were delivered to the island by a ferry, there were two ferry piers, or by boats. On present days in summer concerts are held in the pavilion where public is delivered by the ferry. Persons Catherine II, Empress Chevakinsky Savva Ivanovich Foerster, I.K. Giacoma, A. della Partir, G.-F. Quarenghi Giacomo Rastrelli Francesco de
| | | hidden The house of Ye.A. Engelgardt. | Two-storied building (4 Sadovaya Street) was built in 1752-1753 to the design of S. Chevakinsky in the complex of four cavaliers’ houses for a linen-keeper of Empress Elizabeth Petrovna. In 1811-1816 V.P ... | | Two-storied building (4 Sadovaya Street) was built in 1752-1753 to the design of S. Chevakinsky in the complex of four cavaliers’ houses for a linen-keeper of Empress Elizabeth Petrovna. In 1811-1816 V.P. Stasov rebuilt it and built a wing on the plot (3 Pevchesky Lane). The façade was partly rebuilt by V.P. Stasov in Classicism style and it differed from other houses with rich decoration. The peak under the main entrance was decorated with the forged emblem of the Lyceum ,a lyre circled by symbols of wisdom (an owl), force (branches of an oak) and glory (a branch of a laurel). V.F. Malinovsky, the first director of the Lyceum, lived in this house, later Ye.A. Engelgardt, a director of the Lyceum, lived here too. Pupils of the Lyceum often visited this house. After 1843 the house was occupied by chief-Masters of the Horse, then a department of the court office was placed here. Persons Chevakinsky Savva Ivanovich Elizaveta Petrovna, Empress Engelgardt Egor Antonovich Malinovsky Vasily Fedorovich Stasov Vasily Petrovich Addresses Sadovaya Street/Pushkin, town, house 4
| | | hidden | The Lower stables with a fodder yard, fences and a wing with dwelling flats for stablemen were built in 1756-1762 to the design of F.-B. Rastrelli and under the direction of S.I. Chevakinsky ... | | The Lower stables with a fodder yard, fences and a wing with dwelling flats for stablemen were built in 1756-1762 to the design of F.-B. Rastrelli and under the direction of S.I. Chevakinsky. The Baroque style facades held their splendid appearance. In the main building of the U-shaped complex of three building firstly there were stables for two hundred horses and carriage sheds for the court coaches. The old one-storied stone house of the clothes attendant Chulkov was enlarged and rebuilt for flats of a non-commissioned Master of the Horse and riding-master. In 1770 according to the design and estimate of the architect V.I. Neyelov the new building was constructed which formed the complex like a square. Under Emperor Paul the Hussar Stables were placed here. By the middle of the 19th century the building became dilapidated. More then one inner reconstructions were made by architects P.S. Sadovnikov, A.F. Vidov who built a carriage shed in the yard centre. In 1911 expositions of the agriculture and fire department, the Society of Trusteeship about Sobriety of the Tsarskoye Selo Jubilee exhibition were placed here. After 1917 the Stables were used by The Detskoye Selo department of the Leningrad Agriculture Institute. In the 1930s here there was a mechanical depot, later – the repair and engineering works of Lenobldortrans of the People's Commissariat of Internal Affairs. From 1944 until 1947 here there was a prisoner-of-war camp. Then the building was restored and adapted for a improved hostel and sanatorium of the Agriculture Institute (now it is the Saint Petersburg Agrarian University). Works were done in 1947-1959 according to the design of the architect T.M. Belorusova (planning and restoring workshop No.3 of the State Institute of the Protection of Monuments). Persons Belorusova, T.M. Chevakinsky Savva Ivanovich Chulkov Neelov Vasily Ivanovich Paul (Pavel) I, Emperor Rastrelli Francesco de Vidov Alexander Fomich Addresses Konyushennaya Street/Pushkin, town Naberezhnaya Street/Pushkin, town Sadovaya Street/Pushkin, town Sadovaya Street/Pushkin, town
| | | hidden The Palace Church of the Resurrection | In the Tsarskoye Selo Palace of Tsarina Catherine Alexeyevna at first there was an camp private chapel of St. Catherine the Great Martyr. The main sight of this church was a carved iconostasis of dark blue colour ... | | In the Tsarskoye Selo Palace of Tsarina Catherine Alexeyevna at first there was an camp private chapel of St. Catherine the Great Martyr. The main sight of this church was a carved iconostasis of dark blue colour. Building the palace church, being now, was begun in spring of 1746 to the design and under direction of S.I. Chevakinsky. The ceremonial laying of the Church of the Resurrection, performed by the Eminent Theodosius, Archbishop of Saint Petersburg and Schlusselburg, was been on 8 August of the same year in the presence of Empress Elisabeth, Heir Tsesarevich Pyetr Fiodorivich and his wife Catherine Alexeyevna. During bulding Elisabeth Petrovna ordered to remake a piece of done work and continue building under the direction of the chief-architect F.-B. Rastrelli. Court painters G.-K. Grot, L. Karavak, B. Tarsia, I.Ya. Vishnyakov, A. Perezinotti were recruited to painting icons. In total in the church there were 114 icons, 59 of them were painted and 14 were corrected by famous icon-painter Fedot Kolokolnikov and Mina Kolokolnikov. The painting plafond with the image of the Ascension of Our Lord was painted by the painter G. Valeriani with assistants. Carving work was made by I.F. Dunker. The decoration of the interior was completed and Eminent Sylvester, Archbishop of Saint Petersburg and Schlusselburg, consecrated the Church of the Resurrection of Our Lord on 30 July in 1756 . Religious services in the Palace Church of the Resurrection were performed by the court clergy during staying the Imperial court in Tsarskoye Selo. The Imperial retinue, ministers, diplomats, courtiers, officers of Life Guards regiments are present at the services. On Sundays and holidays the pupil of the Lyceum could be seen near Alexander I during liturgies. The historian Karamzin with his family visited the church. Weddings of the Imperial family members and courtiers, christening of the Imperial family babies, who were born in Tsarskoye Selo, took place in the church. The future emperors Nicholas I and Nicholas II were among them. The church parish included the palace officials, lived in Tsarskoye Selo permanently. In 1917 public religious services were stopped and the church interior was included in the museum exposition. The church interior had magnificent forms in the Baroque style. It was not subjected to considerable changes although the building experienced fires in 1820 and 1863. After the first fire the artist V.K. Shebuyev restored the lost in fire plafond, the church domes were restored to the design of the architect V.P. Stasov, their silhouettes were changed. The restoration of the original view of domes in the Baroque style were made by the architect A.F. Vidov after the second fire. During World War II the church inside decoration was plundered and got considerable damages, 97 icons were robbed, only some fragments were survived. After war restored repair of facades was made during 1957-1963 to the design of the architect A.A. Kedrinsky . But the church interior of the Palace Church has not been restored yet. Persons Alexander I, Emperor Catherine II, Empress Chevakinsky Savva Ivanovich Dunker Johann Franz Elizaveta Petrovna, Empress Grot, G.-K. Karamzin Nikolay Mikhailovich Kedrinsky Alexander Alexandrovich Kvasov Andrey Vasilievich Nicholas I, Emperor Nicholas II, Emperor Peter III, Emperor Rastrelli Francesco de Stasov Vasily Petrovich Tarsia, B. Valeriani Giuseppe Vidov Alexander Fomich
| | | hidden The Tsarskoye Selo Palace Board | A long building is the compositional key point in the layout of the imperial estate and the central part of the town, it occupies the plot between Pevchesky (now it is Litseysky) Lane and Leontyevskaya Street ... | | A long building is the compositional key point in the layout of the imperial estate and the central part of the town, it occupies the plot between Pevchesky (now it is Litseysky) Lane and Leontyevskaya Street. It is one of the oldest buildings in Tsarskoye Selo. The building was built in 1744 to the design of the architect S.I. Chevakinsky. An estate office and building office of Tsarskoye Selo, palace cellars with ice-rooms, apartments of courtiers, guard-masters chambers, store-rooms were placed in this building. The Srefnyaya Street direction was fixed by its façade place. Later on, a part of the office building was demolished during the laying of Leontyevskaya Street according to V.I. Geste’s project. In 1810 V.I. Geste partly rebuilt the south-eastern wing of the office building and built a portico with pediment at the main façade, belonged to the best samples of the architect creativity. The building composition is close to the standard design of government and administrative buildings of the Alexander classicism epoch. The pediment tympanum was decorated by a bas-relief with the Tsarskoye Selo Emblem, the architrave was decorated by the metal plaque with the inscription “The Palace Board”. Over the entrance in the portico deep there was a bas-relief with the date “1817” meant the year when the Office of the Chief Governor of the palace board and Tsarskoye Selo Town was established. The palace board office was placed here until 1917. The north-western wing from the side of Pevchesky Lane was reconstructed according to the design of the architect V.P. Stasov in 1825 for the needs of archives, an exerzier-room for keeping the ammunition, the repair of the cellars with ice-rooms was made. Later this wing was overbuilt with the second floor, at that the architectural design of S.I. Chevakinsky was used in the design of the façade. As the result of reconstructions the single whole building looks like one consisted of three adjoining each other buildings. Until 1917 tickets for visiting the Tsarskoye Selo Palace and parks were given in the palace board office. After the nationalization of the imperial property in 1918 the Tsarskoye Selo Board was liquidated, its archive was transferred into the state depository: the Russian State Historic Archives. Office and archive rooms, enlarged from the side of the yard, were occupied by a town library, other parts of the buildings were used as apartments and a printing-house. The Tsarskoye Selo Emblem placed on the pediment was knocked down. At the present time rooms were used by many organizations. Persons Chevakinsky Savva Ivanovich Hastie Vasily Ivanovich (William) Stasov Vasily Petrovich Addresses Leontievskaya Street/Pushkin, town Litseisky Lane/Pushkin, town Srednaya Street/Pushkin, town
| | | hidden Tsarskoe Selo, palace and park ensemble | TSARSKOE SELO (Pushkin town), a monument of town-planning and a palace and park ensemble dating from the 18th to the beginning of the 20th century. The core of the ensemble is the estate of Empress Catherine I Sarskaya Myza (founded in 1710) ... | | TSARSKOE SELO (Pushkin town), a monument of town-planning and a palace and park ensemble dating from the 18th to the beginning of the 20th century. The core of the ensemble is the estate of Empress Catherine I Sarskaya Myza (founded in 1710). To the north of the Catherine Palace, is the Church of the Holy Sign (1734-46, architects M.Y. Blank, M.G. Zemtsov). In 1752-53, the ensemble of "cavaliers' houses" (4, 6, 10, 12 Sadovaya Street; architect S.I. Chevakinsky) was developed along the north fence of the Catherine Park and Lower Stables (building 18, 20; 1756-62, architects F. Rastrelli, Chevakinsky), Hothouses (building 14; 1750s, architect Rastrelli; reconstructed in 1820-28 by architect V.P. Stasov) and the so-called "stables of the horses on duty" (building 8; 1822-24, architect Stasov) were adjoined to the ensemble. In the middle of the 18th century, the development of the territory continued along Litseisky Lane (building 5 - choristers' wing, 1752-53) and Srednaya Street (building 1 and 3 - houses of the Palace Administration, 1744) - all designed by Chevakinsky. The formation of the palace settlement was interrupted in 1783, when the place for the new town Sofia was chosen to the south-east of the Catherine Park; its plan (architect C. Cameron) was to become a model for all major provincial towns of the Russian Empire. But the project was not implemented to the full and in 1808 the town was abolished (the Holy Wisdom Cathedral and Kazanskoe Cemetery have preserved); later, the territory was built up with quarters and barracks where the Life Guard Hussar Regiment, Riflemen Regiment, Cuirassier Regiment and Artillery School were quartered. The planning of Tsarskoe Selo features regular lay-out formed by perpendicular streets. The centre is the rectangular Sobornaya Square (1808, architect V.I. Hastie) with facades of the Municipal Government and Fire Department (28, 32 Leontyevskaya Street; 1821, architects V.I. Hastie, V.P. Stasov) and Gostiny dvor (25 Moskovskaya Street; 1863-66, architect N.S. Nikitin). St. Catherine's Cathedral (1835-40, architect K.A. Ton) was demolished in 1939. Until the early 20th century, the development was confined to Bulvarnaya Street (today Oktyabrsky Boulevard). The considerable part of Tsarskoe Selo is occupied with the Catherine Park, Alexander Park, Babolovsky Park, Separate Park with Colonists' Pond (along Pavlovskoe Freeway, laid out in 1824-25, architect A.A. Menelas; 1839-47, masters F.F. Lyamin, I.F. Piper; partially replanned in the mid-19th century by architect A.F. Vidov and in the early 20 century by architect S.A. Danini), and Lyceum Garden (1819, architect A.A. Menelas, replanned in 1849, architect D.E. Efimov) with the monument to Alexander Pushkin (1900, sculptor R.P. Bach), the summer residence of M.V. Kochubey (Spare, or Vladimirsky Palace) at 22 Sadovaya Street (1817-18, architect Stasov); the summer residence of Z.I. Yusupova (10-12 Pavlovskoe Freeway; 1856-59, architect I.A. Monighetti), the summer residence of Grand Prince Boris Vladimirovich (11 Moskovskoe Freeway; 1896-97, Maple English firm; 1899, architect A.I. von Gogen). In the early 20th century, in the north of Tsarskoe Selo (Akademichesky Avenue) an ensemble was created that included Feodorovsky Settlement; the Imperial garages (1906-07, architect S.A. Danini, 1913-15, architect A.K. Minyaev); quarters of His Imperial Majesty Escort (1916, architect V.N. Maximov); Tsar's Pavilion of the railway station (1912, architect V.A. Pokrovsky). During the Great Patriotic War of 1941-45, the ensemble of Tsarskoe Selo suffered severe damage. In the course of post-war restoration work, main constituents and focuses of pre-revolutionary architecture have been preserved. References: Ласточкин С. Я., Рубежанский Ю. Ф. Царское Село - резиденция российских монархов: Архит. и воен.-ист. очерк. 2-е изд., доп. и перераб. СПб., 2000. Y. M. Piryutko. Persons Blank Ivan (Jogann)Yakovlevich Cameron Charles Catherine I, Empress Chevakinsky Savva Ivanovich Rastrelli Francesco de Stasov Vasily Petrovich Zemtsov Mikhail Grigorievich Addresses Akademichesky Avenue/Pushkin, town Leontievskaya Street/Pushkin, town, house 32 Leontievskaya Street/Pushkin, town, house 28 Litseisky Lane/Pushkin, town, house 5 Moskovskaya Street/Pushkin, town, house 25 Moskovskoe Freeway/Pushkin, town, house 11 Oktyabrsky Boulevard/Pushkin, town Pavlovskoe Freeway/Pushkin, town Pavlovskoe Freeway/Pushkin, town, house 10 Pavlovskoe Freeway/Pushkin, town, house 12 Pushkin, town Sadovaya Street/Pushkin, town, house 22 Sadovaya Street/Pushkin, town, house 6 Sadovaya Street/Pushkin, town, house 4 Sadovaya Street/Pushkin, town, house 18 Sadovaya Street/Pushkin, town, house 14 Sadovaya Street/Pushkin, town, house 12 Sadovaya Street/Pushkin, town, house 8 Sadovaya Street/Pushkin, town, house 20 Sadovaya Street/Pushkin, town, house 10 Srednaya Street/Pushkin, town, house 3 Srednaya Street/Pushkin, town, house 1
| | | hidden V.I. Neelov, I.V. Neelov, P.V. Neelov, architects | NEELOV family, a family of architects, representatives of early Neoclassicism and Romanticism. Vasily Ivanovich (1722-82), apprentice of S.I. Chevakinsky and M.G. Zemtsov; from 1744, worked with them and F.B ... | | NEELOV family, a family of architects, representatives of early Neoclassicism and Romanticism. Vasily Ivanovich (1722-82), apprentice of S.I. Chevakinsky and M.G. Zemtsov; from 1744, worked with them and F.B. Rastrelli at the Building Bureau in Tsarskoe Selo. From 1760, architect with the rank of Second Major. Impressed by English park landscaping, during his visit in 1770, designed the landscape part with romantic pavilions of Ekaterininsky Park: the Pyramid Pavilion (1770-71), the Neo-Gothic Admiralty and the Hermitage Kitchen (1774-76), the Chinese Small and Grand Caprices (1770-74, in collaboration with I. Gerard), the Marble (Palladium or Siberian) Bridge in the spirit of Palladio (1772-74). His sons, Ilya Vasilievich (1745-93), graduated from the Academy of Fine Arts (1770), following his study trip to Italy, where he was elected a member of the Bologna Academy, worked with his father in Tsarskoe Selo, as C. Cameron's assistant (from 1780); designed the Upper Bath and the Lower Bath Pavilions (late 1770s) and the Grand Ducal Wing of the Great Palace (1788-92, later Lyceum) emulating early Neoclassicism, the pseudo-gothic Babolovsky Palace and other. Author of the landscape part of Alexandrovsky Park; Peter Vasilievich (1749-1846), apprenticed to his father and J.-B.Vallin de la Mothe. In 1770-75, studied landscape architecture in England. From 1794, worked in Tsarskoe Selo, completing the existing park ensemble. Designed the Evening Hall (1796, subsequently rebuilt by L. Rusca). Reference: Васильев Б. Л. Архитекторы Нееловы // Зодчие Санкт-Петербурга, XVIII век. СПб., 1997. С. 879-900. T. A. Slavina.
| | | hidden | Rebuilding the estate manor (with the aim to enlarge it) was begun under the direction of A.V. Kvasov and S.I. ... | | | | | hidden | The reconstruction of the Palace Quarter was done. Forming Sadovaya Street and building the Cavaliers' Houses according to the design of S.I. Chevakinsky were made. At the late 18th century the houses were overbuilt with the second floors by I.V ... | | | | | hidden | The Grand Greenhouse and Lower Stables buildings in Sadovaya Street according to designs of S.I. Chevakinsky and F.-B. Rastrelli were ... | | | | | | |